Reporting War and Conflict
Published on 3. October 2018
230 pages
978-1-317-61168-4 (ISBN)
Description
Reporting War and Conflict brings together history, theory and practice to explore the issues and obstacles involved in the reporting of contemporary war and conflict. The book examines the radical changes taking place in the working practices and day-to-day routines of war journalists, arguing that managing risk has become central to modern war correspondence. How individual reporters and news organisations organise their coverage of war and conflict is increasingly shaped by a variety of personal, professional and institutional risks.
The book provides an historical and theoretical context to risk culture and the work of war correspondents, paying particular attention to the changing nature of technology, organisational structures and the role of witnessing. The conflicts in Iraq, Afghanistan and Syria are examined to highlight how risk and the calculations of risk vary according to the type of conflict. The focus is on the relationship between propaganda, censorship, the sourcing of information and the challenges of reporting war in the digital world. The authors then move on to discuss the arguments around risk in relation to gender and war reporting and the coverage of death on the battlefield.
Reporting War and Conflict is a guide to the contemporary changes in warfare and the media environment that have influenced war reporting. It offers students and researchers in journalism and media studies an invaluable overview of the life of a modern war correspondent.
The book provides an historical and theoretical context to risk culture and the work of war correspondents, paying particular attention to the changing nature of technology, organisational structures and the role of witnessing. The conflicts in Iraq, Afghanistan and Syria are examined to highlight how risk and the calculations of risk vary according to the type of conflict. The focus is on the relationship between propaganda, censorship, the sourcing of information and the challenges of reporting war in the digital world. The authors then move on to discuss the arguments around risk in relation to gender and war reporting and the coverage of death on the battlefield.
Reporting War and Conflict is a guide to the contemporary changes in warfare and the media environment that have influenced war reporting. It offers students and researchers in journalism and media studies an invaluable overview of the life of a modern war correspondent.
Reviews / Votes
Speaking personally, the book would work nicely for our MA provision in journalism, where these issues receive careful attention. It may well serve as required reading on our war and conflict reporting unit, and is certain to be strongly recommended as supplementary reading on further units. - Professor Stuart Allan, Bournemouth University, UKOne thing I would suggest would be particular attention to the differences in war reporting by platform-the special challenges and disadvantages, as well as advantages, to these platforms. This should be relatively easy to include, given Prof. William's background in print, and Harris's expertise in broadcasting. - Professor Linda Steiner, University of Maryland, USA
The authors inspire confidence. Williams has an impressive track record, including a very good book on the history of British newspapers that he published with Routledge and another book in progress on war correspondence that this proposal grew out of. Harris has expertise in television journalism and is also a seasoned teacher. The two authors appear to complement each other in a productive way. - Professor John Nerone, University of Illinois, USA
I'd recommend the authors be more forthright in how they are conceptualising 'risk' and how this analysis explicitly underpins the organisation and content of the book [...] the chapter on reporting disasters seems to be somewhat out of kilter with the rest of the book [...]I think that their assessment is broadly correct and such a book would do well given the topic and the reputation of Prof. Williams. - John Steel, Sheffield University, UK
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Product notice
Reflowable
File size
0,58 MB
ISBN-13
978-1-317-61168-4 (9781317611684)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Janet Harris | Kevin Williams
Reporting War and Conflict
Book
09/2018
1st Edition
Routledge
€61.20
Shipment within 15-20 days
Janet Harris | Kevin Williams
Reporting War and Conflict
Book
09/2018
1st Edition
Routledge
€206.30
Shipment within 15-20 days
Persons
Janet Harris is an award-winning documentary producer/director, having worked for many years at the BBC and as a freelancer with experience of working in Iraq in war and post-war. She holds a PhD on the media coverage of the British military in post-war Iraq and teaches the practice and theory of documentary production at Cardiff University, UK.
Kevin Williams was until recently Professor of Media and Communication History at Swansea University, UK. He has written widely on the history and theory of the media, including several books on war reporting, such as co-authoring The Fog of War: The Media on the Battlefield (1986) and War and Peace News (1985). His most recent book was International Journalism (2011).
Kevin Williams was until recently Professor of Media and Communication History at Swansea University, UK. He has written widely on the history and theory of the media, including several books on war reporting, such as co-authoring The Fog of War: The Media on the Battlefield (1986) and War and Peace News (1985). His most recent book was International Journalism (2011).
Content
Preface
Introduction
1. Risk and war journalism
2. Bearing witness: morality, risk and war reporting
3. Organisational and occupational risks and war reporting
4. Technology and risk management: telegraph, telex and Twitter
5. Media on the battlefield: risk and embedding
6. Asymmetrical wars: reporting post-war Iraq
7. Risk and reporting new forms of war and conflict
8. Risk and the reporting of death, dying and the casualties of war
9. Gender, risk and war reporting
Introduction
1. Risk and war journalism
2. Bearing witness: morality, risk and war reporting
3. Organisational and occupational risks and war reporting
4. Technology and risk management: telegraph, telex and Twitter
5. Media on the battlefield: risk and embedding
6. Asymmetrical wars: reporting post-war Iraq
7. Risk and reporting new forms of war and conflict
8. Risk and the reporting of death, dying and the casualties of war
9. Gender, risk and war reporting
