Making Rent in Bed-Stuy

A young African American millennial filmmaker's funny, sometimes painful, true-life coming-of-age story of trying to make it in New York City-a chronicle of poverty and wealth, creativity and commerce, struggle and insecurity, and the economic and cultural forces intertwined with "the serious, life-threatening process" of gentrification.

Making Rent in Bed-Stuy explores the history and sociocultural importance of Bedford-Stuyvesant, Brooklyn's largest historically black community, through the lens of a coming-of-age young American negro artist living at the dawn of an era in which urban class warfare is politely referred to as gentrification. Bookended by accounts of two different breakups, from a roommate and a lover, both who come from the white American elite, the book oscillates between chapters of urban bildungsroman and a historical examination of some of Bed-Stuy's most salient aesthetic and political legacies.

Filled with personal stories and a vibrant cast of iconoclastic characters- friends and acquaintances such as Spike Lee; Lena Dunham; and Paul MacCleod, who made a living charging $5 for a tour of his extensive Elvis collection-Making Rent in Bed-Stuy poignantly captures what happens when youthful idealism clashes head-on with adult reality.

Melding in-depth reportage and personal narrative that investigates the disappointments and ironies of the Obama era, the book describes Brandon Harris's radicalization, and the things he lost, and gained, along the way.

What does it cost to find your place when the ground is shifting beneath your feet?

• A Coming-of-Age Memoir: Follow a young filmmaker's journey through poverty and creativity, insecurity and ambition, as youthful idealism clashes head-on with the reality of New York City.
• Memoir of Gentrification: Witness the "life-threatening process" of urban change in Bed-Stuy, Brooklyn's largest historically black community, and the cultural and economic forces at play.
• The Black Experience: An unflinching look at identity and radicalization, told through breakups with members of the white American elite and encounters with cultural icons like Spike Lee.
• An Obama Era Narrative: This blend of in-depth reportage and personal story investigates the profound disappointments and ironies of a supposedly post-racial America.