Pop Music Production
Manufactured Pop and BoyBands of the 1990s
1st Edition
Published on 28. June 2019
210 pages
978-1-351-18978-1 (ISBN)
Description
Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function.
Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how 'Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention.
This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios.
Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how 'Stay Another Day' by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention.
This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding's first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Illustrations
1 Tables, black and white; 5 Line drawings, black and white; 5 Halftones, black and white; 10 Illustrations, black and white
ISBN-13
978-1-351-18978-1 (9781351189781)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
09/2019
Taylor & Francis
Unfortunately, price unknown
Available (delivery time upon request)
Book
07/2019
1st Edition
Routledge
€204.10
Shipment within 15-20 days
Book
07/2019
1st Edition
Routledge
€65.40
Shipment within 15-20 days
Persons
Dr Phil Harding started at the Marquee Studios, London, engineering for acts such as The Clash, Killing Joke, Toyah and Matt Bianco. During the 1980s, Phil was chief mix engineer for Stock Aitken Waterman (PWL Studios), working with acts such as Dead or Alive, Mel & Kim, Bananarama, Rick Astley, Pet Shop Boys and Kylie Minogue. In the 1990s, Phil and Ian Curnow ran P&E Music Studios from The Strongroom Studio complex, producing hits for East 17 (including 'Stay Another Day'), Deuce, Boyzone and 911. Phil's first book, PWL from the Factory Floor (2010, Cherry Red Books), was followed by productions for Holly Johnson, Samantha Fox, Belinda Carlisle and Curiosity. He completed his doctorate in Music Production at Leeds Beckett University in April 2017.
Mike Collins began his music recording career in 1981 as a songwriter-producer at Chappell Music Publishing, where he achieved chart success with leading Brit-Funk band Light of the World. As part of a vibrant songwriter's workshop in the mid-1980s, Mike co-wrote with a range of established writers and artists such as Sly Fox, Cameo, Shannon, Jermaine Stewart and Joyce Sims. This led to top-flight session work from the late 1980s as a studio musician and MIDI programer working with Cubase and Pro Tools. Throughout the 1990s and 2000s Mike developed a successful technology-driven writing career with a highly respected series of books for Focal Press (Routledge) on Pro Tools. Mike leaves us with excellent music productions and his Pro Tools books, which are stocked in most university and college libraries.
Mike Collins began his music recording career in 1981 as a songwriter-producer at Chappell Music Publishing, where he achieved chart success with leading Brit-Funk band Light of the World. As part of a vibrant songwriter's workshop in the mid-1980s, Mike co-wrote with a range of established writers and artists such as Sly Fox, Cameo, Shannon, Jermaine Stewart and Joyce Sims. This led to top-flight session work from the late 1980s as a studio musician and MIDI programer working with Cubase and Pro Tools. Throughout the 1990s and 2000s Mike developed a successful technology-driven writing career with a highly respected series of books for Focal Press (Routledge) on Pro Tools. Mike leaves us with excellent music productions and his Pro Tools books, which are stocked in most university and college libraries.
Content
INTRODUCTION
METHODOLOGY: RESEARCH AND INTERVIEW QUESTIONS
CHAPTER 1: BoyBands & Pop Music Culture
CHAPTER 2: The Business of Pop Music Production
CHAPTER 3: Pop Music Production Creativity
CHAPTER 4: Pop Music Songwriting
CHAPTER 5: Pop Production Recording
CHAPTER 6: Pop Music Mixing
CHAPTER 7: Pop Record Examples
CHAPTER 8: Conclusions & Theories
APPENDICES
APPENDIX 1 - Technology for Pop Music Production
METHODOLOGY: RESEARCH AND INTERVIEW QUESTIONS
CHAPTER 1: BoyBands & Pop Music Culture
CHAPTER 2: The Business of Pop Music Production
CHAPTER 3: Pop Music Production Creativity
CHAPTER 4: Pop Music Songwriting
CHAPTER 5: Pop Production Recording
CHAPTER 6: Pop Music Mixing
CHAPTER 7: Pop Record Examples
CHAPTER 8: Conclusions & Theories
APPENDICES
APPENDIX 1 - Technology for Pop Music Production
