
Walter Benjamin and the Arcades Project
Description
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Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth
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Content
Et Cetera? The Historian as Chiffonier, Irving Wohlfarth (University of Reims)
The Flâneur, the Sandwichman and the Whore: The Politics of Loitering, Susan Buck-Morss (Cornell Univeristy)
Passage Work, Barbara Johnson (Harvard University)
Ruin and Rubble in the Arcades, Esther Leslie (Birkbeck, University of London)
Geheimmittel: Advertising and Dialectical Images in Benjamin's Arcades Project, Max Pensky (Binghampton, SUNY)
A Matter of Distance: Benjamin's One-Way Street through the Arcades, Gerhard Richter (UC Davis)
'The Colportage Phenomenon of Space' and the Place of Montage in the Arcades Project, Brigid Doherty (Princeton University)
Walter Benjamin's Dream of 'Happiness', Elissa Marder (Emory University)
The Dream of Reality in the Ruin, Stathis Gourgouris (UCLA)
The Enticing and Threatening Face of Prehistory: Walter Benjamin and the Utopia of Glass, Detlef Mertins (University of Pennsylvania)
Glass before its time, premature iron: Architecture, Temporality and dream in Benjamin's Arcades Project, Tyrus Miller (UC Santa Cruz)
Remains to be Seen, Stanley Cavell (Harvard University)
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