
Transatlantic Modernism
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Content
- Cover
- Title Page
- Copyright Page
- Contents
- Acknowledgements
- Introduction: Modernity and the Crisis of Morals
- Part I: Naturalism and Decadence
- 1: Decadence, Naturalism and the Morality of Writing (Huysmans, Wilde, Norris, Wharton)
- 2: Books and Ruins: Abject Decadence in Gide and Mann
- Part II: Symbolic Centres of Modernism
- 3: Extremist Modernism: The Avant-Garde and the Limits of Art (Tzara, Huelsenbeck, Breton, Aragon)
- 4: Moral Regeneration and Moral Bankruptcy: Conrad, Faulkner and Idiocy
- Part III: Sexual and Cultural Difference
- 5: American Expatriate Fictions and the Ethics of Sexual Difference (Stein, Hemingway, Miller, Nin)
- 6: The Blind Impress of Modernity: Lorca, Kafka and New York
- Part IV: Modernist Trickery
- 7: The Modernist Picaresque: Moralists without Qualities (Musil, Hesse, Hurston, Roth)
- 8: Myths of the Magician: Klaus Mann, Thomas Mann and Nazi Germany
- Conclusion: Liberating the Fear of Modernity
- Notes
- Bibliography
- Index
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