
How to Get the Part...Without Falling Apart!
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Content
- Intro
- Title Page
- Copyright
- Dedication
- Contents
- Foreword
- Audition Story-Heather Locklear
- Acknowledgments
- Prologue
- Part 1: Getting Out of Your Own Way
- Chapter 1 / You are Your Own Worst Enemy
- Audition Story-Gabriel Byrne
- Your Friend, The Casting Director
- The Success/Failure Syndrome
- It's a Numbers Game
- It's Out of Your Control
- Commitment, Commitment, Commitment
- Chapter 2 / How You Present Yourself
- Audition Story-Halle Berry
- First Impressions
- Should You Enter as the Character or as Yourself?
- Audition Story-Brooke Langton
- Photographs (Head Shots)
- Resumés
- Resumé Layout
- The Big Taboo-Don't Touch The Casting Director!
- It's Never How You Expect It To Be
- Use What You're Not Given
- Stop Apologizing for Yourself
- Coming From the Character's Point of View (POV)
- The Actor's Barometer
- Chapter 3 / The Interview
- Audition Story-Kelly Preston
- Audition Story-Steve Downing, Executive Producer
- The Interview
- Taking in the Room
- What They Really Want To Know
- Audition Story-Vince Vaughn
- Chapter 4 / Guide to A Healthy Instrument
- Audition Story-Pierce Brosnan
- Audition Story-Corey Allen
- A Healthy Instrument
- That Old Backpack
- The Five Ego States
- Turn Up the Volume!
- Part 2: Breaking Down the Scene
- Chapter 1 / Relationship
- Audition Story-Stephen Collins
- Types of Relationships
- Scene Excerpt-Thelma & Louise
- Relationship Q&A
- Changing Relationships
- Scene Excerpt-Thelma & Louise
- Relationship Contract-Hannah and Her Sisters
- Scene Excerpt-Hannah and Her Sisters
- Applying the Relationship Contract
- Siblings: Where is Your Character in the Food Chain?
- Love Relationships
- Stages of a Love Relationship
- Chapter 2 / Intention
- Audition Story-Eileen Davidson
- Second Read-Through
- Scene Excerpt-Thelma & Louise
- Action Verbs
- Opposing Adjectives
- Physical Behavior
- Obstacles
- Types of Obstacles
- Scene Excerpt-Julia
- Adjustments
- Scene Excerpt-The Silence of the Lambs
- Key Phrase
- Chapter 3 / History
- Audition Story-Bibi Besch
- Creating the Past
- Scene Excerpt-The Goodbye Girl
- Different Histories
- Scene Excerpt-In the Line of Fire
- Chapter 4 / Personalization
- Audition Story-Tom Arnold
- Personalizing Thoughts and Feelings
- Senses and Imagery
- Blood and Guts
- Stanislavski's Magical "As If"
- Substitution
- Scene Excerpt-Thelma & Louise
- Chapter 5 / V.I.P.S.
- Audition Story-Steve Guttenberg
- Scene Excerpt-Beaches
- Scene Excerpt-Beaches
- Chapter 6 / Opening Beat
- Audition Story-Josie Bissett
- The Five "W's"
- Where Am I?
- When Does the Opening Beat Take Place?
- Scene Excerpt-Kramer vs. Kramer
- Who Else Is in the Environment?
- What Am I Feeling?
- What Is My Physical Action?
- Scene Excerpt-Thelma & Louise
- "Help, I'm Next!"
- Chapter 7 / Units and Transitions
- Audition Story-Vondie Curtis-Hall
- Scene Excerpt-Thelma & Louise
- Scene Excerpt-The Prisoner of Second Avenue
- Baby Beats
- Adjustments
- Scene Excerpt-The Goodbye Girl
- Closing Beats
- Chapter 8 / Core and Masking
- Audition Story-Michael Easton
- Layers of Core and Masking
- Period Pieces
- Masking With Anger
- Masking With Indifference
- Masking With Humor
- The Vulnerable Moment
- Scene Excerpt-Thelma & Louise
- Scene Excerpt-Ordinary People
- Chapter 9 / Sense of Humor
- Audition Story-Tony Roberts
- Personality
- Breaking the Stereotypes
- Humor vs. Lightness
- Action/Adventure Films
- Buddy Films
- Scene Excerpt-Thelma & Louise
- Likability
- Daytime Dramas (Soaps)
- Chapter 10 / Moment to Moment
- Audition Story-Robert Newman
- Tennis, Anyone?
- The Coverup
- Mistakes Are Your Friends
- Crazy Things That Throw You
- Audition Story-Lar Park Lincoln
- Audition Story-Marga Gomez
- Audition Story-Cheryl Richardson
- Audition Story-Don McMillan
- Audition Story-Tim Quill
- Audition Story-Keith Alexander
- Audition Story-James Harrison Lurie
- The Callback Syndrome
- Making Adjustments
- Chapter 11 / Sample Scene Breakdown
- Audition Story-Traylor Howard
- Meeting Gene Hackman
- Scene Excerpt-I Never Sang for My Father
- First Read
- Second Read
- Third Read
- Scene Excerpt-I Never Sang for My Father
- Part 3: The Haber Phrase Technique®
- Chapter 1 / Reading in Phrases
- Audition Story-Cree Summer
- The Trap of Memorizing
- Developing the Phrase Technique
- The Haber Phrase Technique®
- Putting the Technique into Practice-L.A. Law Closing Argument
- Scene Excerpt-L.A. Law
- Put your Thumb into Action
- "That Darn Paper"
- Commonly Asked Questions Regarding the Technique
- Chapter 2 / Using the Haber Phrase Technique® in a Scene
- Audition Story-Lisa Rinna
- Audition Story-Michael Easton
- There's No Such Thing as a Monologue
- Working with a Partner
- Landings
- Resolutions
- Comedy Resolutions
- Scene Excerpt-Thieves
- When Do You Get Your Next Line?
- Scene Excerpt-I Never Sang for My Father
- When to Turn the Page
- Repetitive Phrases
- Eye-Staring Contest
- Throw It Away!
- Joining Sentences
- Putting It Together-I Never Sang for My Father
- Scene Excerpt-I Never Sang for My Father
- Don't Lose Your Life!
- Silence is Golden
- The State of Confusion
- Part 4: Words from the Pros
- Chapter 1 / Meet the Pros Seminar
- Audition Story-Garrett Wang
- Chapter 2 / Do's and Don'ts
- Audition Story-Edafe Blackman
- Pictures and Resumés
- Agents and Managers
- Getting in the Door
- Preparation
- The Audition
- Callbacks
- Screen Tests
- Feedback
- Afterword: An Interview with ED ASNER
- Epilogue
- About the Authors
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