'Grease Is the Word'
Exploring a Cultural Phenomenon
1st Edition
Published on 22. November 2019
236 pages
978-1-78527-111-3 (ISBN)
Description
Bringing together a group of international scholars from diverse academic backgrounds, 'Grease Is the Word' analyses the cultural phenomenon Grease. With essays covering everything from the film's production history, political representations and industrial impact to its stars and reception, the book shines a spotlight on one of Broadway's and Hollywood's biggest commercial successes. By adopting a range of perspectives and drawing on various visual, textual and archival sources, the contributors maintain a vibrant dialogue throughout, offering a timely reappraisal of a musical that continues to resonate with fans and commentators the world over.
Reviews / Votes
'Mining significant new primary materials and offering an admirable array of scholarly approaches, this collection adds much-needed depth to our current understanding of one of the most successful and yet underexamined pieces of American popular film in the twentieth century, the "cultural phenomenon" known as Grease.'-Barbara Jane Brickman, Assistant Professor of Media and Gender Studies, New College & Department of Gender and Race Studies, University of Alabama, USA 'Gruner and Kraemer have gathered eleven fascinating essays that dissect Grease and explore the contexts that produced it and sustained its popularity. More than an in-depth examination of the film, "Grease Is the Word" is a major new offering in the study of US cinema and culture.'
-Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK 'This collection brings together a variety of scholars in order to offer an interdisciplinary array of approaches to examine a multimedia phenomenon, using Grease as a lens through which to ask some of the key questions pertinent to film, media and cultural studies - most significantly questions related to stardom, nostalgia, fandom, representation, adaptation and critical reception.'
-Melanie Kennedy (SFHEA), Lecturer in Media and Communication, School of Media, Communication and Sociology, University of Leicester, UK
More details
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
US School Grade: College Graduate Student
File size
21,49 MB
ISBN-13
978-1-78527-111-3 (9781785271113)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
11/2019
Anthem Press
€142.20
Shipment within 10-15 days
E-Book
11/2019
1st Edition
Anthem Press
€38.99
Available for download
Persons
Oliver Gruner is a senior lecturer in visual culture at the University of Portsmouth, UK. He is the author of Screening the Sixties: Hollywood Cinema and the Politics of Memory (2016). His work has also been published or is forthcoming in journals such as the Historical Journal of Film, Radio and Television, Rethinking History and The Poster as well as in various edited collections.
Peter Kraemer is a senior research fellow in cinema and TV in the Leicester Media School at De Montfort University, UK, and a senior fellow in the School of Art, Media and American Studies at the University of East Anglia, UK. He is also a regular guest lecturer at Masaryk University, Czech Republic, and at the University of Television and Film, Munich, Germany. Kraemer is the author or co-editor of nine academic books.
Peter Kraemer is a senior research fellow in cinema and TV in the Leicester Media School at De Montfort University, UK, and a senior fellow in the School of Art, Media and American Studies at the University of East Anglia, UK. He is also a regular guest lecturer at Masaryk University, Czech Republic, and at the University of Television and Film, Munich, Germany. Kraemer is the author or co-editor of nine academic books.
Content
Introduction, Oliver Gruner and Peter Kraemer; 1. From Chicago to Broadway: The Origins of 'Grease', Scott Warfield, University of Central Florida; 2. 'We Were Just Trying to Entertain': 'Grease' in Production, Alexander G. Ross, University of East Anglia; 3. 'Bland? Who, Me?': Olivia Newton-John on the Road to 'Xanadu', Oliver Gruner, University of Portsmouth; 4. Travolta Fever, Adrian Garvey, Queen Mary University of London; 5. A View from the Bridge: 'Grease''s Los Angeles, Celestino Deleyto, University of Zaragoza; 6. 'Grease', the Jukebox Fifties and Time's Percolations, Christine Sprengler, University of Western Ontario; 7. 'We Go Together': Meta-diegesis and Internal Voices in 'Grease', Beth Carroll, University of Southampton; 8. 'An Easy Winner': The Marketing, Reception and Success of 'Grease', Peter Kraemer, University of East Anglia; 9. Vanishing Pregnancies to Flying Cars: Examining Changing Reactions to the Carnival in 'Grease', Frances Smith, University of Sussex; 10. 'Grease', Late Teens and the Twentysomething Audience Today, Rebecca Feasey, Bath Spa University; 11. Look at Me on DVD: 'Grease' in the Home, Simon Hobbs, University of Portsmouth; Index.
