
The Sound of the English Picturesque
Description
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Using an interdisciplinary approach, Groves addresses the apparent 'silence' of the English picturesque. The book draws on analysis of the visualisations present in the texts of English vocal music, and their musical treatment, to demonstrate how local composers incorporated celebrations of landscape into their works. The final chapter shows that the English picturesque was a crucial influence on Joseph Haydn's oratorio The Seasons. Suitable for anyone with an interest in eighteenth-century music, aesthetics, and the natural environment, this book will appeal to a wide range of specialists and non-specialists alike.
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Person
Content
List of musical examples
Acknowledgements
Introduction
PART I
1 Coloured for sight and sound: picturesque landscapes and the muse
2 An English picturesque absence?
3 The abstract and the colloquial picturesque
PART II
4 Walks and prospect views: solo song and the glee in England
5 From Lake Windermere to the Bay of Naples: picturesque scenery, subjects and situations in English musical theatre
6 The picturesque oratorio: Haydn's art in nature's clothing
Epilogue
Bibliography
Index
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