
Between the Islands
Description
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Reviews / Votes
At the heart of all of Gross's collections has been his deep enquiry into and fascination with the nature of embodiment and existence - what water is and does in The Water Table, the role of language, and speech especially, in identity and the self in Deep Field and Later. Now in Love Songs of Carbon Gross tests and feels his amazed way through the mysteries of the multiple manifestations of love and ageing... Such exactitude of feeling and image is typical of all Gross's work, and no less inventively in this new collection. Characteristic too is his focused, sustained approach across the whole book: Love Songs of Carbon asks to be read as a song-book, to use the terms of its presentation, curated for the reader to turn and return to. From poem to poem, pace and metrics quicken and still and quicken again as the book progresses. -- John Burnside & Jane Draycott * PBS Bulletin *More details
Other editions
Additional editions

Person
Content
- Intro
- ACKNOWLEDGEMENTS
- Title Page
- Epigraph
- Edge States
- Erasures
- Nocturne with a View of the Pier
- The Age of Electricity
- Touched
- A Wave.
- Shag, Rampant
- Himself
- Firepower
- Pyroglyphs
- Three Fevers and a Fret
- Equator
- Southern Cross
- The House of Innumerable Things
- Canberra Rising
- The Day of the Things
- The Floes
- Restoration
- Bay Laurel
- A Kind of Rapture
- Sea Koan
- How He Lay
- Flugelhorn on a Pembrokeshire Beach
- Dear Barber
- Of the Silence at the Heart of Pyrotechnics
- Between the Islands
- Towards a Line from Guillevic
- About the Author
- Copyright
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