Cinematic Metaphor in Perspective
Description
Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in "Cinematic Metaphor: Experience - Affectivity - Temporality". The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines.
The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally.
Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.).
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Persons
S. Greifenstein , D. Horst , C. Müller , European University Viadrina, Frankfurt/O.; T. Scherer , C. Schmitt , H. Kappelhoff, FU Berlin.
Content
- Intro
- Acknowledgements
- Contents
- Introduction
- From Metaphor To Metaphorizing: How Cinematic Metaphor Opens Up Metaphor Studies
- Murnau And Metaphor: From Cinematic Expressionism To Cinematic Expressive Movements
- Insights For Linguistics And Gesture Studies From Film Studies: A View From Researching Cinematic Metaphor
- Moving Metaphors: Affects, Movements, And Embodied Metaphors In Cinema
- Actio Per Distans: Blumenberg'S Metaphorology And Hitchcock'S Rear Window
- Our Metaphorical Experiences Of Film
- Name Index
- Subject Index
- About The Authors
- About The Editors
