
Landscapes of Loss
Description
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This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself.
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Content
I. Introduction 3
II. Alain Resnais: The Ghosts of History 31
III. Battles for Memory: Vichy Revisited 64
IV. Bertrand Tavernier: History in the Present Tense 98
V. Memory and Its Losses: Troubled Dreams of Empire 130
VI. A la recherche du temps perdu: The Specter of Populism 159
Epilogue 190
Notes 195
Index 227
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