
Great War Modernism
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Content
Introduction: Great War Modernism
Nanette Norris
Section One: Non-Combatant Responses - Nostalgia, Legacies, and Recuperations
Homeric Cheeses and the Breast of a Decrepit Nurse:
Ruskin and Marinetti on Art, War, and Peace
Michael J. K. Walsh
The Irrepressible Conflict: The Southern Agrarians and World War One
David A. Davis
"A Reconstructionary Tale":
Ford Madox Ford's Georgic Response to World War One
Jeffrey Mathes McCarthy
Non-Combatancy, Narrative, and Henry Green's Pack My Bag
Taryn Okuma
Painting Abstraction/Observing Destruction at the Front
Graeme Stout
Section Two: High Modernists and the Shock of War
World War I and Messianic Voids in Virginia Woolf's To the Lighthouse
Camelia Raghinaru
H. D. and the Secrets of Redemption
Nanette Norris
Violence and Laughter in Women in Love
Joyce Wexler
You Give Them Money, They Give You a Stuffed Dog:
Modernism and Survival in The Sun Also Rises
Gregory M. Dandeles
Section Three: Soldiers and Soldiering
Anonymity, Transnational Identity, and A German Deserter's War Experience
Erika Kuhlman
Rosenberg's Half-Life between Romanticism and Modernism
James Brown
From Drills to Dreams:
"Making the Mould" of Retreat in John Dos Passos'Three Soldiers
Matthew David Perry
A Necessary Aesthetics:
Modernism's Role in Stabilizing War Narratives Through Poetry
? David Jones to Brian Turner (and Beyond)
Travis L. Martin
Bibliography
About the Contributors
Index
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