Gothic Mash-Ups
Hybridity, Appropriation, and Intertextuality in Gothic Storytelling
Lexington Books (Publisher)
1st Edition
Published on 14. March 2022
286 pages
978-1-7936-3658-4 (ISBN)
Description
Gothic Mash-Ups explores the role of intertextuality in Gothic storytelling through the analysis of texts from diverse periods and media. Drawing on recent scholarship on Gothic remix and adaptation, the contributors examine crossover fictions, multi-source film and comic book adaptations, neo-Victorian pastiches, performance magic, monster mashes, and intertextual Gothic works of various kinds. Their chapters investigate many critical issues related to Gothic mash-up, including authorship, originality, intellectual property, fandom, commercialization, and canonicity. Although varied in approach, the chapters all explore how Gothic storytellers make new stories out of older ones, relying on a mix of appropriation and innovation. Covering many examples of mash-up, from nineteenth-century Gothic novels to twenty-first-century video games and interactive fiction, this collection builds from the premise that the Gothic is a fundamentally hybrid genre.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Illustrations
10 b/w photos;
ISBN-13
978-1-7936-3658-4 (9781793636584)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
03/2022
Lexington Books
€115.50
Shipment within 3-4 weeks
Persons
Content
Part I: Film and Television Mash-Ups
1. Do the Monster Mash: Universal's "Classic Monsters" and the Industrialization of the Gothic Transmedia Franchise
Megen de Bruin-Molé
2. Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-Ups
Kevin M. Flanagan
3. Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957-1983
Xavier Aldana Reyes
4. Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful
Sarah E. Maier and Rachel M. Friars
5. Horror, Humor, and Satire in Get Out
Chesya Burke
Part II: Literary Mash-Ups
6. Anne Boleyn, Tudor Vampire
Stephanie Russo
7. The Holmes-Meets-Dracula Mash-Up
L. N. Rosales
8. Orgiastic Authorship in The Picture of Dorian Gray and Teleny
Sandra M. Leonard
9. Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach
Kelly Baron
Part III: More Mash-Ups: Comics, Performance, and Games
10. "The crawling thing within me": Marvel Comics
1. Do the Monster Mash: Universal's "Classic Monsters" and the Industrialization of the Gothic Transmedia Franchise
Megen de Bruin-Molé
2. Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-Ups
Kevin M. Flanagan
3. Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957-1983
Xavier Aldana Reyes
4. Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful
Sarah E. Maier and Rachel M. Friars
5. Horror, Humor, and Satire in Get Out
Chesya Burke
Part II: Literary Mash-Ups
6. Anne Boleyn, Tudor Vampire
Stephanie Russo
7. The Holmes-Meets-Dracula Mash-Up
L. N. Rosales
8. Orgiastic Authorship in The Picture of Dorian Gray and Teleny
Sandra M. Leonard
9. Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach
Kelly Baron
Part III: More Mash-Ups: Comics, Performance, and Games
10. "The crawling thing within me": Marvel Comics
