
Richard Wagner
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Best known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813-83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner's compositions and his overarching understanding of aesthetics. A landmark study of one of music's most important figures
"People who would like to know more about Wagner, and people who have loved his music for years ... will find a great deal in this book to enjoy and to admire." - Tablet
"Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue... Suffused with his readings of contemporary productions of the operas, Geck's musical analyses are succinct and superb" - New York Times
"As an editor of Wagner's Complete Works, Geck brings a deep familiarity with the composer to his task." - Weekly Standard
"A thoroughly approachable yet consistently provocative study." -Thomas S. Grey, editor of The Cambridge Companion to Wagner
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Content
- Intro
- Contents
- Introduction: Figuring Out Wagner?
- Chapter One. The Archetypal Theatrical Scene: From Leubald To Die Feen
- Chapter Two. The Blandishments of Grand Opera: Das Liebesverbot And Rienzi
- Chapter Three. "Deep shock" and "a violent change of direction", Der Fliegende Holländer
- Chapter Four. Rituals to Combat Fear and Loneliness, Tannhäuser Und Der, Sängerkrieg Auf Wartburg
- Chapter Five. A Bedtime Story with Dire Consequences, Lohengrin
- Chapter Six. The Revolutionary Drafts: Achilles, Jesus of Nazareth, Siegfried's Death, And Wieland The Smith
- Chapter Seven. "We have art so as not to be destoyed by the truth": The Ring As A Nineteenth-Century Myth
- Chapter Eight. "My music making is in fact magic making, for I just cannot produce music cooly and mechanically": The Art of the Ring - Seen from the beginning
- Chapter Nine. "He resembles us to a tee
- he is the sum total of present-day intelligence": The Art of the Ring - Wotan's Music
- Chapter Ten. "A mystical pit, giving pleasure to individuals", Tristan Und Isolde
- Chapter Eleven. "A magnificent, overcharged, heavy, late art", Die Meistersinger Von Nürnberg
- Chapter Twelve. "They're hurrying on toward their end, though they think they will last for ever", The Art of the Ring - Seen From The End
- Chapter Thirteen. "You will see - diminshed sevenths were just not possible!" Parsifal
- Chapter Fourteen. Wagner as the Sleuth of Modernism
- Notes
- General Index
- Index of Wagner's Works
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