Mixed Messages
American Correspondences in Visual and Verbal Practices
1st Edition
Published on 1. September 2016
240 pages
978-1-5261-0179-2 (ISBN)
Available for download
Description
Offering a major contribution to the field of American culture and aesthetics in an interdisciplinary frame, this collection assembles the cutting-edge research of renowned and emerging scholars in literature and the visual arts, with a foreword by Miles Orvell. The volume represents the first of its kind: an intervention in current interdisciplinary approaches to the intersections of the written word and the visual image that moves beyond standard theoretical approaches to consider the written and visual artwork in embodied, cognitive and experiential terms. Tracing a strong lineage of pragmatism, romanticism, surrealism and dada in American intermedial works through the nineteenth century to the present day, the editors and authors of this volume chart a new and vital methodology for the study and appreciation of the correspondences between visual and verbal practices. -- .
Reviews / Votes
'Mixed Messages offers a set of case studies which reappraise old American masters (the likes of Ralph Waldo Emerson, Walt Whitman, and William Carlos Williams) to provoke new, enterprising understandings of artworks that press into service textual and visual features.'Matthew Holman, Oxford Art Journal, Volume 40, Issue 2 -- .
More details
Language
English
Place of publication
Manchester
United Kingdom
Edition type
Digital original
Illustrations
Halftones, black & white
Halftones, black & white
ISBN-13
978-1-5261-0179-2 (9781526101792)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Catherine Gander | Sarah Garland
Mixed Messages
American Correspondences in Visual and Verbal Practices
Book
09/2016
Manchester University Press
€141.50
Shipment within 3-4 weeks
Persons
Catherine Gander is Lecturer in American Literature and Visual Culture at Queen's University Belfast
Sarah Garland is Lecturer in American Literature and Visual Culture at the University of East Anglia -- .
Sarah Garland is Lecturer in American Literature and Visual Culture at the University of East Anglia -- .
Content
Foreword - Miles Orvell
Introduction - Catherine Gander and Sarah Garland
1. A poetics of organic expression: Louis Sullivan's transcendentalist legacy in word and image - Lauren S. Weingarden
2. Photographic studies in the Hawthornes' American note-books - Jessie Morgan-Owens
3. Fragments of the future: Walker Evans's polaroids - Caroline Blinder
4. Cartooning the marvelous: word and image in Chicago Surrealism - Joanna Pawlik
5. 'Twenty-six things at once': Pragmatic perspectives on Frank O'Hara and Norman Bluhm's Poem-Paintings - Catherine Gander
6. 'Being kept in the dark can be a critical gesture': Arakawa and Madeline Gins' Mechanism of Meaning - Sarah Garland
7. 'Then art will change. This is the future': Nancy Spero's manifestary practice - Rachel Warriner
8. Forms of potential: reading Lawrence Weiner - Katie L. Price
9. Testimony by hand: Ann Hamilton's myein - Julie Brown
10. Reading with a knife, or the book art of subtraction: Brian Dettmer and Doug Beube's altered books - Katy Masuga
Envoi - Catherine Gander and Sarah Garland
Index -- .
Introduction - Catherine Gander and Sarah Garland
1. A poetics of organic expression: Louis Sullivan's transcendentalist legacy in word and image - Lauren S. Weingarden
2. Photographic studies in the Hawthornes' American note-books - Jessie Morgan-Owens
3. Fragments of the future: Walker Evans's polaroids - Caroline Blinder
4. Cartooning the marvelous: word and image in Chicago Surrealism - Joanna Pawlik
5. 'Twenty-six things at once': Pragmatic perspectives on Frank O'Hara and Norman Bluhm's Poem-Paintings - Catherine Gander
6. 'Being kept in the dark can be a critical gesture': Arakawa and Madeline Gins' Mechanism of Meaning - Sarah Garland
7. 'Then art will change. This is the future': Nancy Spero's manifestary practice - Rachel Warriner
8. Forms of potential: reading Lawrence Weiner - Katie L. Price
9. Testimony by hand: Ann Hamilton's myein - Julie Brown
10. Reading with a knife, or the book art of subtraction: Brian Dettmer and Doug Beube's altered books - Katy Masuga
Envoi - Catherine Gander and Sarah Garland
Index -- .
