
Seeing by Electricity
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Content
Introduction 1
Part I. Archaeologies of Moving Image Transmission
1. Ancient Affiliates: The Nineteenth-Century Origins of Cinema and Television 17
2. Severed Eyeballs and Prolonged Optic Nerves: Television as Modern Prosthetic Vision 50
3. Happy Combinations of Electricity and Photography: Moving Image Transmission in the Early Cinema Era 74
Part II. Debating the Specificity of Television, On- and Off-Screen
4. Cinema's Radio Double: Hollywood Comes to Terms with Television 105
5. "We Must Prepare!": Dziga Vertov and the Avant-Garde Reception of Television 145
6. Thinking across Media: Classical Film Theory's Encounter with Television 167
Conclusion 184
Notes 189
Bibliography 221
Index 239
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