
Blood in the Arena
Description
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In this book, Alison Futrell explores the arena as a key social and political institution for binding Rome and its provinces. She begins with the origins of the gladiatorial contest and shows how it came to play an important role in restructuring Roman authority in the later Republic. She then traces the spread of amphitheaters across the Western Empire as a means of transmitting and maintaining Roman culture and control in the provinces.
Futrell also examines the larger implications of the arena as a venue for the ritualized mass slaughter of human beings, showing how the gladiatorial contest took on both religious and political overtones. This wide-ranging study, which draws insights from archaeology and anthropology, as well as Classics, broadens our understanding of the gladiatorial contest and its place within the highly politicized cult practice of the Roman Empire.
Reviews / Votes
". . . bring[s] fresh perspectives to the study of the Roman amphitheater, situating the Roman arena within a larger cross-cultural framework of human sacrifice and providing important insights into the psychological dimensions of these public spectacles for the Roman viewer." (Classical World)All prices
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Content
Acknowledgments
Introduction
I. Beginnings
Campanian Gladiators
Etruscan Gladiators
Origines Gladiatorum
Early Spectacle in Rome
The Late Republic: Spectacle and Political Manipulation
The Imperial Games
II. A Scatter of Circles
The Iberian Peninsula
Britannia
The Northeastern Frontier
The Galliae
III. Order and Struggle: Cult in the Amphitheater
Imperial Cult
Celtic Cult
Nemesis
IV. The System of Construction
The Early Builders
Builders during the Empire
Management
Labor
Military Amphitheaters
Technology
Tickets and Seating
V. The Magic Ring: Human Sacrifice in the Arena
Patterns of Human Sacrifice
Human Sacrifice in Rome
The Ideology of Human Sacrifice
Conclusion
Appendix I. Amphitheaters and Central Place Theory
Appendix II. Pliny in Bithynia
Notes
Bibliography
Index
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The file format ePUB works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
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