
Breaking the Sequence
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Originally published in 1989.
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Content
CONTENTS, pg. ix
PREFACE, pg. xi
PERMISSIONS ACKNOWLEDGMENTS, pg. xvii
Contexts and Continuities: An Introduction to Women's Experimental Fiction in English, pg. 3
Illiterations, pg. 55
Male Signature, Female Aesthetic: The Gender Politics of Experimental Writing, pg. 72
Dorothy Richardson Versus the Novvle, pg. 85
Woolfenstein, pg. 99
Breaking the Master Narrative: Jean Rhys's Wide Sargasso Sea, pg. 117
The Radical Narrative of Djuna Barnes's Nigbtwood, pg. 129
Jane Bowles: Experiment as Character, pg. 140
H.D.'s Fiction: Convolutions to Clarity, pg. 148
The Music of the Womb: Anaïs Nin's "Feminine" Writing, pg. 161
"Stepping-Stones Into the Dark": Redundancy and Generation in Christine Brooke-Rose's Amalgamemnon, pg. 177
Marguerite Young's Miss Macintosh, My Darling: Liquescence as Form, pg. 188
Fiction as Language Game: The Hermeneutic Parables of Lydia Davis and Maxine Chernoff, pg. 199
The Artists of Hell: Kathy Acker and "Punk" Aesthetics, pg. 215
Voices in the Head: Style and Consciousness in the Fiction of Ann Quin, pg. 231
One Hundred and Three Chapters of Little Times: Collapsed and Transfigured Moments in the Fiction of Barbara Guest, pg. 240
The Sense of Unending: Joyce Carol Oates's Bellefleur as an Experiment in Feminine Storytelling, pg. 250
Experimental Novels? Yes, But Perhaps "Otherwise": Nathalie Sarraute, Monique Wittig, pg. 267
The Clandestine Fictions of Marguerite Duras, pg. 284
NOTES ON CONTRIBUTORS, pg. 299
SELECTED LIST OF WOMEN EXPERIMENTALISTS, pg. 301
INDEX, pg. 319
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