
Los Rodriguez's Sin Documentos
Description
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characterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock.
This book evaluates the influence of Latin American pop-rock in the modernization of Spanish popular music from the 1950s, despite the Anglophilia of Spanish rock scenes, especially in the 1990s. Through interviews with members of the band and members of the record label DRO, analysis of the media coverage of the album and
a cultural analysis of its meanings, it delves into the cultural trends of Spain throughout the 1990s and beyond.
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Persons
Fernan del Val is Assistant Professor of Sociology of Culture at Universidad Nacional de Educacion a Distancia (UNED), Spain. He writes about music, politics, media and youth in Spain and is the author of Rockeros insurgentes, modernos complacientes: un analisis sociologico del rock en la Transicion (2017).
Content
1. Sin Documentos
2. Mi Rock Perdido
3. Pequno Salto Mortal
Conclusions
References
Notes
Index
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