
Music and Instruments of the Elizabethan Age
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Persons
MICHAEL FLEMING focused his instrument-making career principally on viols and was awarded a PhD by the Open University in 2001 for his research into English viol-making. Since 2005 he has produced the leading international journal of organology, The Galpin Society Journal, and he was Chair of the Viola da Gamba Society from 1997-2017. His recent publications include Early English Viols: Instruments, Makers and Music (Routledge, 2017), co-authored with John Bryan.Page Christopher:
CHRISTOPHER PAGE is a Fellow of the British Academy, a Member of the Academia Europaea, Emeritus Professor of English in the University of Cambridge and from October 2014 until May 2018 was Gresham Professor of Music at Gresham College, London (founded 1597). An Emeritus Fellow of Sidney Sussex College, Cambridge, he holds the Dent Medal of the Royal Musical Association awarded for outstanding services to musicology.
Content
Foreword
Acknowledgements
Note to the Reader
Abbreviations
Introducing the Eglantine Table
The Table: models and artistic context
Botany, the Table and Hardwick New Hall
The playing cards and gaming boards
The writing implements
The music in staff notation
The book of lute tablature
'A full and lively pourtraiture': The Table as evidence for Tudor musical instruments
The bowed instruments and bows
The gittern or guitar
The cittern
The lute
The harp
The wind instruments
The Table and the music of the 1560s
Pipers, Fiddlers and the Musical Lives of the Majority
Tables of the Mind
Appendix 1: The renovation of the Eglantine Table by Tankerdale Ltd, 1996
Appendix 2: The Table in the context of furnishings in Bess of Hardwick's houses
Glossary
List of Contributors
Select Bibliography
Index
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