
The Long and the Short of It
Description
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Reviews / Votes
'Fisher stands outside, or alongside, whatever else is happening, an English late modernist whose experiments tend to come off. He is a poet of the city - his native Birmingham, which he describes as "what I think with". He is a redeemer of the ordinary, often a great artist of the visible - His range is large: he suits both extreme brevity and book-length exploration; his seeming improvisations have a way of turning into architecture. The best place to start is "The Long and the Short of It". It might look and sound like nothing on earth at first, but then it becomes indispensable' - Sean O'Brien, Guardian. 'There is no poet alive whose work has challenged or interested me more' - August Kleinzahler. 'Anyone who doubts that contemporary poetry can be intellectually and formally daring without being strictly for lecturers and fanatics should read this book' - William Wootten, Guardian.More details
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Person
Content
- Cover
- Description
- Roy Fisher: selected bibliography
- Title Page
- Dedication
- CONTENTS
- I
- Wonders of Obligation
- The Dow Low Drop
- City
- Hallucinations
- A Furnace
- The Cut Pages
- The Ship's Orchestra
- II
- The Collection of Things
- Timelessness of Desire
- In the Wall
- The Mouth of Shade
- The Square House, February
- Near Garmsley Camp
- Suppose -
- Discovering the Form
- Provision
- At Once
- Dusk
- After Working
- III
- Epic
- The Making of the Book
- A Modern Story
- 'Bing-Bong Ladies from Tongue Lane or This Introduction Needs No Poem
- Sets
- The Poetry of Place
- On Not
- On the Neglect of Figure Composition
- Paraphrases
- The Passive Partner
- Freelance
- Critics Can Bleed
- The Dirty Dozen
- On Reading Robert Duncan and Hearing Duke Ellington
- Masterpieces in My Sleep
- The Poetry Promise
- The Nation
- Hypnopaedia
- Irreversible
- Stop
- Envoi
- IV
- Kingsbury Mill
- Linear
- Butterton Ford
- The Thing About Joe Sullivan
- The Only Image
- The Memorial Fountain
- A Sign Illuminated
- One World
- The Poet's Message
- Mother-tongue, Father-tongue
- The Sidings at Drebkau
- The Slink
- Self-portraits and Their Mirrors
- Going
- Day In, Day Out
- The Sky, the Sea
- In the Visitors' Book
- The Mark
- Releases
- Toyland
- Homilies
- Aside to a Children's Tale
- Some Loss
- The Time, Saturday
- Corner
- The Square House: April
- White Cloud, White Blossom
- The Open Poem and the Closed Poem
- They Come Home
- V
- At the Grave of Asa Benveniste
- You Should Have Been There
- Songs from the Camel's Coffin
- Homage to Edwin Morgan
- Processional
- Emblem
- Every Man His Own Eyebright
- Staffordshire Red
- Rules and Ranges for Ian Tyson
- Poem Beginning with a Line by Josephine Clare
- Drop on Drop
- The Ticket-of-Leave Man
- Style
- The Toy
- Epitaph
- News for the Ear
- Don't Ask
- When I'm Sixty-four
- The Fisher Syndrome Explained with How to Stay Succumbed
- And on That Note:
- VI
- Poem
- Commuter
- For Realism
- It is Writing
- The Hospital in Winter
- Wish
- From the Town Guide
- The Sign
- Necessaries
- Artists, Providers, Places to Go
- Upright
- Colour Supplement Pages
- In Touch
- 3rd November 1976
- The Whale Knot
- The Host
- A Poem Not a Picture
- Chirico
- Mouth-talk
- A Debt for Tomorrow
- Without Location
- A Song
- Three Stone Lintels at Eleven Steps
- Dark on Dark
- The Lesson in Composition
- Of the Empirical Self and for Me
- The Home Pianist's Companion
- In the Black Country
- A Working Devil for the Birthday of Coleman Hawkins
- Quarry Hills
- Barnardine's Reply
- Just Where to Draw the Line
- Simple Location
- If I Didn't
- From an English Sensibility
- The Red and the Black
- Item
- VII
- Interiors with Various Figures
- Seven Attempted Moves
- Handsworth Liberties
- Matrix
- Texts for a Film
- Glenthorne Poems
- The Six Deliberate Acts
- Diversions
- It Follows That
- Metamorphoses
- 107 Poems
- Five Morning Poems from a Picture by Manet
- Three Ceremonial Poems
- To the Memory of Wyndham Lewis
- At No Distance
- Stopped Frames and Set Pieces
- Works and Days
- VIII
- Inscriptions for Bluebeard's Castle
- Correspondence
- Top Down, Bottom Up
- Five Pilgrims in the Prologue to The Canterbury Tales
- Figures from Anansi Company
- The Half-Year Letters
- Also
- IX
- Studies
- The Badger's Belly-mark
- The House on the Border
- The Burning Graves at Netherton
- The Running Changes
- Cut Worm
- Promenade on Down
- A Poem To Be Watched
- Noted
- The Least
- A Grammar for Doctrine
- The Elohim Creating Adam
- Leaving July
- As He Came Near Death
- Photographers' Flowers
- Magritte Imitated Himself
- Last Poems
- Report on August
- Continuity
- On the Open Side
- Rudiments
- Mystery Poems
- Custom
- The Intruder
- The Flight Orator
- Why They Stopped Singing
- The Trace
- Hand-Me-Downs
- X
- The Afterlife
- On Spare Land
- Somewhere along the Pool
- Inner Voice
- On the Wellingtonias at Pilleth
- On Hearing I'd Outlived My Son the Linguist
- Little Jazz
- Target
- Jumping the Gun
- Impurities
- False Winds
- Sanctuary
- Syntax
- Plot
- A Damp Night
- The Skyline in the Wall Mirror
- Dancing Neanderthal
- At Brough-on-Noe
- 'Adjectives': the Novel
- the Movie
- Shocking Pink
- Long Ago in a Town in the Provinces
- Travel
- Log
- Of the Qualities
- Hole, Horse and Hellbox: the Tabernacle Poems
- Peeling
- A Masque of Resistances: Dancing in Chains
- The Run to Brough
- Stops and Stations
- Rattle a Cart
- NOTES
- ACKNOWLEDGEMENTS
- Index of titles and first lines
- About the Author
- Copyright
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