Scenographic Design Drawing
Performative Drawing in an Expanded Field
1st Edition
Published on 14. December 2020
288 pages
978-1-350-16855-8 (ISBN)
Description
This enlightening study explores the set design drawings for theatre and live performance, highlighting their unique qualities within the greater arena of drawing practice and theory. The latest volume in the Drawing In series, Scenographic Design Drawing encourages an interdisciplinary dialogue in the field of drawing with the inclusion of illustrations throughout.
Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time.
Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.
Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time.
Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
21 bw illus and 8pp colour plate section
ISBN-13
978-1-350-16855-8 (9781350168558)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
07/2024
Bloomsbury Visual Arts
€38.50
Shipment within 15-20 days
Person
Sue Field is a researcher at UNSW Art and Design, Australia, and a lecturer in the School of Architecture at the University of Technology, Australia. Sue has an exemplary history of working in the performing arts industry. She has extensive experience in scenographic design, lecturing and teaching, practice-based education and research, and is a practitioner in expanded drawing as an art practice. She has written scholarly papers for journals, national and international conferences, and has published academic book chapters. She was awarded a Doctor of Philosophy (PhD) from the University of New South Wales, Australia, in 2018.
Content
List of Figures
Introduction
1. Drawn Behind the Fourth Wall
2. Creating a Scene
3. Staging Architecture
4. Drawn to Perform
5. The Drawn Absence
6. Drawn into the Future
References
Notes
Index
Introduction
1. Drawn Behind the Fourth Wall
2. Creating a Scene
3. Staging Architecture
4. Drawn to Perform
5. The Drawn Absence
6. Drawn into the Future
References
Notes
Index
