
A Century of Sonnets
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Content
- Intro
- Contents
- Acknowledgments
- Introduction
- Suggested Further Reading
- Editorial Principles
- Thomas Edwards (1699-1757)
- 1. On a Family-Picture
- 2. 'Tongue-doughty pedant'
- Thomas Gray (1716-71)
- 3. On the Death of Mr. Richard West
- Thomas Warton (1728-90)
- 4. 'While summer-suns o'er the gay prospect played'
- 5. To the River Lodon
- John Codrington Bampfylde (1754-96)
- 6. 'As when, to one who long hath watched'
- 7. Written at a Farm
- 8. On a Frightful Dream
- 9. On Christmas
- Charlotte Smith (1749-1806)
- 10. 'The partial Muse has from my earliest hours'
- 11. Written at the Close of Spring
- 12. To a Nightingale
- 13. To the Moon
- 14. To the South Downs
- 15. To Sleep
- 16. Supposed to be Written by Werter
- 17. By the Same. To Solitude
- 18. By the Same
- 19. From Petrarch
- 20. 'Blest is yon shepherd, on the turf reclined'
- 21. Written on the Sea Shore.-October, 1784
- 22. To the River Arun
- 23. To Melancholy. Written on the Banks of the Arun, October 1785
- 24. To the Naiad of the Arun
- 25. 'Should the lone wanderer, fainting on his way'
- 26. To Night
- 27. Written in the Churchyard at Middleton in Sussex
- 28. The Captive Escaped in the Wilds of America. Addressed to the Hon. Mrs. O'Neill
- 29. To Dependence
- 30. Written in September 1791, During a Remarkable Thunder Storm
- 31. On Being Cautioned Against Walking on an Headland Overlooking the Sea
- 32. 'Where the wild woods and pathless forests frown'
- 33. The Sea View
- 34. Written Near a Port on a Dark Evening
- 35. Written at Bignor Park in Sussex, in August, 1799
- Samuel Egerton Brydges (1762-1837)
- 36. On Dreams
- 37. 'No more by cold philosophy confined'
- William Hayley (1745-1820)
- 38. To Mrs. Hayley, On her Voyage to America. 1784
- Mary Hays (1760-1843)
- 39. 'Ah! let not hope fallacious, airy, wild'
- Helen Maria Williams (1761?-1827)
- 40. To Twilight
- 41. To Hope
- 42. To the Moon
- 43. To the Strawberry
- 44. To the Curlew
- 45. To the Torrid Zone
- 46. To the White Bird of the Tropic
- William Lisle Bowles (1762-1850)
- 47. To a Friend
- 48. 'Languid, and sad, and slow'
- 49. Written at Tinemouth, Northumberland, after a Tempestuous Voyage
- 50. Written at Bamborough Castle
- 51. To the River Wensbeck
- 52. To the River Tweed
- 53. To the River Itchin, Near Winton
- 54. On Dover Cliffs. July 20, 1787
- 55. To the River Cherwell
- Thomas Russell (1762-88)
- 56. 'Oxford, since late I left thy peaceful shore'
- 57. To Valclusa
- 58. 'Dear Babe, whose meaning by fond looks expressed'
- 59. To the Spider
- 60. To the Owl
- Mary Locke (fl. 1791-1816)
- 61. 'I hate the Spring in parti-colored vest'
- Ann Radcliffe (1764-1823)
- 62. To the Visions of Fancy
- 63. Sun-Rise: A Sonnet
- 64. Night
- 65. 'Now the bat circles on the breeze of eve'
- 66. Storied Sonnet
- 67. To the Bat
- Anna Maria Jones (1748-1829)
- 68. To Echo
- 69. To the Moon
- Samuel Taylor Coleridge (1772-1834)
- 70-80. Sonnets on Eminent Characters
- 70. No. I. To the Honorable Mr. Erskine
- 71. No. II. Burke
- 72. No. III. Priestley
- 73. No. IV. La Fayette
- 74. No. V. Kosciusko
- 75. No. VI. Pitt
- 76. No. VII. To the Rev. W. L. Bowles
- 77. No. VIII. Mrs. Siddons
- 78. No. IX. To William Godwin, Author of Political Justice
- 79. No. X. To Robert Southey
- 80. No. XI. To Richard Brinsley Sheridan, Esq.
- 81. To the Autumnal Moon
- 82. On a Discovery Made Too Late
- 83. To the River Otter
- 84. To a Friend, Who Asked How I Felt, When the Nurse First Presented My Infant to Me
- 85-87. Sonnets, Attempted in the Manner of 'Contemporary Writers'
- 85. I. ('Pensive, at eve, on the hard world I mused')
- 86. II. To Simplicity
- 87. III. On a Ruined House in a Romantic Country
- 88. To W. L. Esq. While He Sung a Song to Purcell's Music
- 89. Fancy in Nubibus. Or The Poet in the Clouds
- 90. Work Without Hope
- 91. The Old Man's Sigh. A Sonnet
- 92. Life
- 93. Pantisocracy
- Amelia Opie (1769-1853)
- 94. To Winter
- 95. On the Approach of Autumn
- John Thelwall (1764-1834)
- 96. To Tyranny
- 97. To Ancestry
- 98. The Vanity of National Grandeur
- 99. On the Rapid Extension of the Suburbs
- Mary Julia Young (fl. 1789-1808)
- 100. To Dreams
- 101. Anxiety
- 102. Friendship
- 103. To Time
- 104. To My Pen
- 105. On an Early Spring
- Charles Lamb (1775-1834)
- 106. 'Was it some sweet device of faery land'
- 107. 'We were two pretty babes'
- 108. 'O! I could laugh to hear the midnight wind'
- 109. 'If from my lips some angry accents fell'
- 110. The Family Name
- Mary Robinson (1758-1800)
- 111-154. Sappho and Phaon
- 111. I. Sonnet Introductory
- 112. II. The Temple of Chastity
- 113. III. The Bower of Pleasure
- 114. IV. Sappho Discovers her Passion
- 115. V. Contemns its Power
- 116. VI. Describes the Characteristics of Love
- 117. VII. Invokes Reason
- 118. VIII. Her Passion Increases
- 119. IX. Laments the Volatility of Phaon
- 120. X. Describes Phaon
- 121. XI. Rejects the Influence of Reason
- 122. XII. Previous to her Interview with Phaon
- 123. XIII. She Endeavors to Fascinate Him
- 124. XIV. To the Eolian Harp
- 125. XV. Phaon Awakes
- 126. XVI. Sappho Rejects Hope
- 127. XVII. The Tyranny of Love
- 128. XVIII. To Phaon
- 129. XIX. Suspects his Constancy
- 130. XX. To Phaon
- 131. XXI. Laments her Early Misfortunes
- 132. XXII. Phaon Forsakes Her
- 133. XXIII. Sappho's Conjectures
- 134. XXIV. Her Address to the Moon
- 135. XXV. To Phaon
- 136. XXVI. Contemns Philosophy
- 137. XXVII. Sappho's Address to the Stars
- 138. XXVIII. Describes the Fascinations of Love
- 139. XXIX. Determines to Follow Phaon
- 140. XXX. Bids Farewell to Lesbos
- 141. XXXI. Describes her Bark
- 142. XXXII. Dreams of a Rival
- 143. XXXIII. Reaches Sicily
- 144. XXXIV. Sappho's Prayer to Venus
- 145. XXXV. Reproaches Phaon
- 146. XXXVI. Her Confirmed Despair
- 147. XXXVII. Foresees her Death
- 148. XXXVIII. To a Sigh
- 149. XXXIX. To the Muses
- 150. XL. Visions Appear to her in a Dream
- 151. XLI. Resolves to Take the Leap of Leucata
- 152. XLII. Her Last Appeal to Phaon
- 153. XLIII. Her Reflections on the Leucadian Rock Before She Perishes
- 154. XLIV. Conclusive
- 155. Laura to Petrarch
- Ann Yearsley (1752-1806)
- 156. To_______
- William Beckford (1760-1844)
- 157. Elegiac Sonnet to a Mopstick
- Charles Lloyd (1775-1839)
- 158. 'My pleasant home! where erst when sad and faint'
- 159. 'Oh, I have told thee every secret care'
- 160. Written at the Hotwells, near Bristol
- 161. 'Erst when I wandered far from those I loved'
- 162. 'Oh, she was almost speechless!'
- 163. 'Whether thou smile or frown, thou beauteous face'
- 164. Metaphysical Sonnet
- Robert Southey (1774-1843)
- 165-170. Poems on the Slave Trade
- 165. I ('Hold your mad hands! for ever on your plain')
- 166. II ('Why dost thou beat thy breast and rend thine hair')
- 167. III ('Oh he is worn with toil! the big drops run')
- 168. IV ("Tis night
- the mercenary tyrants sleep')
- 169. V ('Did then the bold slave rear at last the sword')
- 170. VI ('High in the air exposed the slave is hung')
- 171. To a Goose
- 172. Winter
- Edward Gardner (fl. 1770-98)
- 173. Written in Tintern Abbey, Monmouthshire
- 174. To Love
- Joseph Hucks (d. 1800)
- 175. To Freedom
- Anna Seward (1742-1809)
- 176. 'When Life's realities the Soul perceives'
- 177. To a Friend, Who Thinks Sensibility a Misfortune
- 178. 'By Derwent's rapid stream as oft I strayed'
- 179. 'Seek not, my Lesbia, the sequestered dale'
- 180. To Honora Sneyd
- 181. 'Ingratitude, how deadly is thy smart'
- 182. To_______
- 183. December Morning
- 184. 'In every breast affection fires, there dwells'
- 185. To Mr. Henry Cary, On the Publication of his Sonnets
- 186. To a Young Lady, Purposing to Marry a Man of Immoral Character in the Hope of his Reformation
- 187. To the Poppy
- 188. On a Lock of Miss Sarah Seward's Hair Who Died in her Twentieth Year
- 189. 'On the damp margin of the sea-beat shore'
- 190. Written December 1790
- Jane West (1758-1852)
- 191. To May
- Ann Home Hunter (1742-1821)
- 192. Winter
- Eliza Kirkham Mathews (1772-1802)
- 193. The Indian
- William Cowper (1731-1800)
- 194. To Mrs. Unwin
- 195. To George Romney, Esq.
- Henry Kirke White (1785-1806)
- 196. 'Give me a cottage on some Cambrian wild'
- 197. The Winter Traveler
- Mrs. B. Finch (fl. 1805)
- 198. Written in a Shrubbery Towards the Decline of Autumn
- 199. Written in a Winter's Morning
- Anna Maria Smallpiece (fl. 1805)
- 200. Written in Ill Health
- 201. 'The veil's removed, the gaudy, flimsy veil'
- William Wordsworth (1770-1850)
- 202. On Seeing Miss Helen Maria Williams Weep at a Tale of Distress
- 203. 1801
- 204. ' "With how sad steps, O Moon thou climb'st the sky'
- 205. 'Nuns fret not at their convent's narrow room'
- 206. 'How sweet it is, when mother Fancy rocks'
- 207. 'Where lies the land to which yon ship must go?'
- 208. Composed after a Journey across the Hamilton Hills, Yorkshire
- 209. 'These words were uttered in a pensive mood'
- 210. 'With ships the sea was sprinkled far and nigh'
- 211. Composed Upon Westminster Bridge, Sept. 3, 1803
- 212. 'Methought I saw the footsteps of a throne'
- 213. 'The world is too much with us'
- 214. 'It is a beauteous evening, calm and free'
- 215. Composed by the Sea-Side, near Calais, August, 1802
- 216. To Toussaint L'Ouverture
- 217. London, 1802
- 218. October, 1803
- 219. 'Surprised by joy-impatient as the wind'
- 220-252. The River Duddon
- 220. I. ('Not envying shades which haply yet may throw')
- 221. II. ('Child of the clouds! remote from every taint')
- 222. III. ('How shall I paint thee?-Be this naked stone')
- 223. IV. ('Take, cradled nursling of the mountain, take')
- 224. V. ('Sole listener, Duddon! to the breeze that played')
- 225. VI. Flowers
- 226. VII. (' "Change me, some God, into that breathing rose!"')
- 227. VIII. ('What aspect bore the man who roved or fled')
- 228. IX. The Stepping-Stones
- 229. X. The Same Subject
- 230. XI. The Faery Chasm
- 231. XII. Hints for the Fancy
- 232. XIII. Open Prospect
- 233. XIV. ('O Mountain Stream! the shepherd and his cot')
- 234. XV. ('From this deep chasm-where quivering sunbeams play')
- 235. XVI. American Tradition
- 236. XVII. Return
- 237. XVIII. Seathwaite Chapel
- 238. XIX. Tributary Stream
- 239. XX. The Plain of Donnerdale
- 240. XXI. ('Whence that low voice?-A whisper from the heart')
- 241. XXII. Tradition
- 242. XXIII. Sheep Washing
- 243. XXIV. The Resting-Place
- 244. XXV. ('Methinks 'twere no unprecedented feat')
- 245. XXVI. ('Return, content! for fondly I pursued')
- 246. XXVII. Journey Renewed
- 247. XXVIII. ('No record tells of lance opposed to lance')
- 248. XXIX. ('Who swerves from innocence, who makes divorce')
- 249. XXX. ('The Kirk of Ulpha to the pilgrim's eye')
- 250. XXXI. ('Not hurled precipitous from steep to steep')
- 251. XXXII. ('But here no cannon thunders to the gale')
- 252. XXXIII. Conclusion ('I thought of thee, my partner and my guide')
- 253. Mutability
- 254. 'Scorn not the Sonnet'
- 255. Steamboats, Viaducts, and Railways
- 256. 'Most sweet it is with unuplifted eyes'
- 257. On the Projected Kendal and Windermere Railway
- Mathilda Betham (1776-1852)
- 258. 'Urge me no more!'
- 259. To a Llangollen Rose, the Day after It Had Been Given by Miss Ponsonby
- Susan Evance (fl. 1808-18)
- 260. To Melancholy
- 261. Written in a Ruinous Abbey
- 262. To a Violet
- 263. To the Clouds
- 264. Written in III Health at the Close of Spring
- 265. Written at Netley Abbey
- Martha Hanson (fl. 1809)
- 266. To Fancy
- 267. Occasioned by Reading Mrs. M.[ary] Robinson's Poems
- 268. 'How proudly Man usurps the power to reign'
- 269. To Mrs. Charlotte Smith
- Mary F.Johnson (fl. 1810
- d. 1863)
- 270. Thunder storm
- 271. Second Evening
- 272. The Village Maid
- 273. Invocation to the Spirit Said to Haunt Wroxall Down
- 274. The Idiot Girl
- 275. The Widow's Remarriage
- Mary Tighe (1772-1810)
- 276. Written at Scarborough. August, 1799
- 277. 'As one who late hath lost a friend adored'
- 278. 'When glowing Phoebus quits the weeping earth'
- 279. Written in Autumn
- 280. 'Poor, fond deluded heart!'
- 281. Written at Rossana. November 18, 1799
- 282. Written at the Eagle's Nest, Killarney. July 26, 1800
- 283. Written at Killarney. July 29, 1800
- 284. To Death
- 285. 'Can I look back, and view with tranquil eye'
- 286. 1802
- Leigh Hunt (1784-1859)
- 287. To Hampstead ('Sweet upland, to whose walks with fond repair')
- 288. To Hampstead ('Winter has reached thee once again at last')
- 289. On the Grasshopper and Cricket
- 290. To Percy Shelley, on the Degrading Notions of Deity
- 291. To the Same
- 292. To John Keats
- 293. The Nile
- Mary Bryan (fl. 1815)
- 294. The Maniac
- 295. To My Brother ('O, thou art far away from me-dear boy!')
- 296. To My Brother ('Once in our customed walk a wounded bird')
- 297. To_______ _______ ('O thou unknown disturber of my rest')
- 298. To_______ _______ ('O timeless guest!-so soon returned art thou')
- George Gordon, Lord Byron (1788-1824)
- 299. On Chillon
- 300. 'Rousseau-Voltaire-our Gibbon-and de Staël'
- John Keats (1795-1821)
- 301. To Solitude
- 302. On First Looking into Chapman's Homer
- 303. To * * * * * *
- 304. Written on the Day that Mr. Leigh Hunt Left Prison
- 305. 'How many bards gild the lapses of time!'
- 306. To a Friend Who Sent Me Some Roses
- 307. 'Keen, fitful gusts are whisp'ring here and there'
- 308. 'To one who has been long in city pent'
- 309. On Leaving Some Friends at an Early Hour
- 310. Addressed to Haydon
- 311. Addressed to the Same
- 312. On the Grasshopper and Cricket
- 313. To Kosciusko
- 314. 'Happy is England! I could be content'
- 315. 'After dark vapors have oppressed our plains'
- 316. To Haydon, with a Sonnet Written on Seeing the Elgin Marbles
- 317. On Seeing the Elgin Marbles
- 318. To Ailsa Rock
- 319. To a Cat
- 320. 'If by dull rhymes our English must be chained'
- 321. On Fame
- 322. 'Bright star! would I were steadfast as thou art'
- 323. 'The day is gone, and all its sweets are gone!'
- 324. To Sleep
- 325. 'O Chatterton! how very sad thy fate!'
- 326. 'O thou! whose face hath felt the winter's wind'
- 327. 'When I have fears that I may cease to be'
- 328. 'Why did I laugh tonight?'
- 329. 'I cry your mercy-pity-love!-aye, love!'
- Percy Bysshe Shelley (1792-1822)
- 330. To Wordsworth
- 331. Feelings of a Republican on the Fall of Bonaparte
- 332. Ozymandias
- 333. Ode to the West Wind
- 334. Political Greatness
- 335. 'Lift not the painted veil'
- 336. England in 1819
- Jane Alice Sargant (fl. 1817-21)
- 337. 'Lo, on her dying couch, the sufferer lies'
- 338. 'How gladly would I lay my aching head'
- Thomas Doubleday (1790-1870)
- 339. 'Poppies, that scattered o'er this arid plain'
- 340. 'No walk today
- -November's breathings toss'
- 341. 'Friends, when my latest bed of rest is made'
- Horace Smith (1779-1849)
- 342. Ozymandias
- John Clare (1793-1864)
- 343. The Primrose
- 344. The Gypsy's Evening Blaze
- 345. To an Hour-Glass
- 346. To an Angry Bee
- 347. The Last of April
- 348. Winter
- 349. To the Memory of John Keats
- 350. Rural Scenes
- 351. The Shepherd's Tree
- 352. The Wren
- 353. The Wryneck's Nest
- 354. Nutting
- 355. Shadows
- 356. A Woodland Seat
- Samuel Rogers (1763-1855)
- 357. To the Fragment of a Statue of Hercules, Commonly Called the Torso
- Thomas Lovell Beddoes (1803-49)
- 358. To Night
- Charles Johnston (d. 1823)
- 359. 'I know thee not, bright creature, ne'er shall know'
- 360. 'Spirit of evil, with which the earth is rife'
- Elizabeth Cobbold (1767-1824)
- 361-363. Sonnets of Laura
- 361. I. Reproach
- 362. II. The Veil
- 363. III. Absence
- 364. On Some Violets Planted in My Garden by a Friend
- John F. M. Dovaston (1782-1852)
- 365. 'Streamlet! methinks thy lot resembles mine'
- 366. 'There are who say the sonnet's meted maze'
- Sarah Hamilton (c. 1769-1843)
- 367. Farewell to France
- 368. The Poppy
- Thomas Moore (1779-1852)
- 369. No-Leave My Heart to Rest
- 370. Fancy
- William Ewart Gladstone (1809-98)
- 371. To a Rejected Sonnet
- Mary Russell Mitford (1787-1855)
- 372. The Forget-Me-Not
- 373. On a Beautiful Woman
- Barry Cornwall (Bryan Waller Procter) (1787-1874)
- 374. To My Child
- Joseph Blanco White (1775-1841)
- 375. Night and Death
- Thomas Hood (1799-1845)
- 376. Written in the Workhouse
- 377. To the Ocean
- 378. False Poets and True
- 379. Sonnet to a Sonnet
- Edward Moxon (1801-58)
- 380. 'Loud midnight-soothing melancholy bird'
- William Roscoe (1753-1831)
- 381. The Camellia
- 382. God of the Changeful Year!
- 383. On Being Forced to Part with his Library for the Benefit of his Creditors
- Charles Tennyson Turner (1808-79)
- 384. 'When lovers' lips from kissing disunite'
- 385. 'Hence with your jeerings, petulant and low'
- 386. 'No trace is left upon the vulgar mind'
- 387. 'O'erladen with sad musings'
- 388. 'The bliss of Heaven, Maria, shall be thine'
- 389. 'His was a chamber in the topmost tower'
- Alfred Tennyson (1809-92)
- 390. 'Check every outflash, every ruder sally'
- 391. 'Mine be the strength of spirit fierce and free'
- 392. 'As when with downcast eyes we muse and brood'
- Agnes Strickland (1796-1874)
- 393. The Self-Devoted
- 394. The Forsaken
- 395. The Maniac
- 396. The Infant
- Frederick Tennyson (1807-98)
- 397. Poetical Happiness
- Hartley Coleridge (1796-1849)
- 398. 'Long time a child, and still a child'
- 399. Dedicatory Sonnet, To S. T. Coleridge
- 400. To a Friend
- 401. 'Is love a fancy, or a feeling?'
- 402. November
- 403. The First Birthday
- 404. 'If I have sinned in act, I may repent'
- 405. 'All Nature ministers to Hope'
- Letitia Elizabeth Landon (1802-38)
- 406. The Dancing Girl
- 407. The Castle of Chillon
- Jane Cross Simpson (1811-86)
- 408. 'Oh! if thou lov'st me, love me not so well!'
- Felicia Hemans (1793-1835)
- 409. The Vigil of Rizpah
- 410. Mary at the Feet of Christ
- 411. The Memorial of Mary
- 412. Mountain Sanctuaries
- 413. The Olive Tree
- 414. A Remembrance of Grasmere
- 415. Foliage
- Caroline Norton (1808-77)
- 416. 'In the cold change, which time hath wrought on love'
- 417. 'Like an enfranchised bird, who wildly springs'
- 418. To My Books
- Ebenezer Elliott (1781-1849)
- 419. Powers of the Sonnet
- 420. Criticism
- Frederick William Faber (1814-63)
- 421. The Confessional
- 422. The After-State
- 423. A Dream of Blue Eyes
- 424. Sonnet-writing. To F. W. F.
- Frances Anne Kemble (1809-93)
- 425. 'Whene'er I recollect the happy time'
- 426. 'Cover me with your everlasting arms'
- Eliza Cook (1818-89)
- 427. Written at the Couch of a Dying Parent
- Arthur Hugh Clough (1819-61)
- 428. 'Here am I yet, another twelvemonth spent'
- 429. 'Yes, I have lied, and so must walk my way'
- Calder Campbell (1798-1857)
- 430. 'When midst the summer-roses'
- William Bell Scott (1811-90)
- 431. Early Aspirations
- William Michael Rossetti (1829-1919)
- 432. Jesus Wept
- Dante Gabriel Rossetti (1828-82)
- 433-438. Sonnets for Pictures
- 433. I. A Virgin and Child, by Hans Memmeling
- in the Academy of Bruges
- 434. II. A Marriage of St. Katharine, by the same
- in the Hospital of St. John at Bruges
- 435. III. A Dance of Nymphs, by Andrea Mantegna
- in the Louvre
- 436. IV. A Venetian Pastoral, by Giorgione
- in the Louvre
- 437. V. Angelica rescued from the Sea-monster, by Ingres
- in the Luxembourg
- 438. VI. The same
- Elizabeth Barrett Browning (1806-61)
- 439-481. Sonnets from the Portuguese
- 439. I. ('I thought once how Theocritus had sung')
- 440. II. ('But only three in all God's universe')
- 441. III. ('Unlike are we, unlike, O princely Heart!')
- 442. IV. ('Thou hast thy calling to some palace floor')
- 443. V. ('I lift my heavy heart up solemnly')
- 444. VI. ('Go from me. Yet I feel that I shall stand')
- 445. VII. (The face of all the world is changed, I think')
- 446. VIII. ('What can I give thee back, O liberal')
- 447. IX. ('Can it be right to give what I can give?')
- 448. X. ('Yet, love, mere love, is beautiful indeed')
- 449. XI. ('And therefore if to love can be desert')
- 450. XII. ('Indeed this very love which is my boast')
- 451. XIII. ('And wilt thou have me fashion into speech')
- 452. XIV. ('If thou must love me, let it be for naught')
- 453. XV. ('Accuse me not, beseech thee, that I wear')
- 454. XVI. ('And yet, because thou overcomest so')
- 455. XVII. ('My poet, thou canst touch on all the notes')
- 456. XVIII. ('I never gave a lock of hair away')
- 457. XIX. ('The soul's Rialto hath its merchandise')
- 458. XX. ('Beloved, my Beloved, when I think')
- 459. XXI. ('Say over again, and yet once over again')
- 460. XXII. ('When our two souls stand up erect and strong')
- 461. XXIII. ('Is it indeed so? If I lay here dead')
- 462. XXIV. ('Let the world's sharpness like a clasping knife')
- 463. XXV. ('A heavy heart, Beloved, have I borne')
- 464. XXVI. ('I lived with visions for my company')
- 465. XXVII. ('My own Beloved, who hast lifted me')
- 466. XXVIII. ('My letters! all dead paper, . . mute and white!')
- 467. XXIX. ('I think of thee!-my thoughts do twine and bud')
- 468. XXX. ('I see thine image through my tears tonight')
- 469. XXXI. (Thou comest! all is said without a word.')
- 470. XXXII. ('The first time that the sun rose on thine oath')
- 471. XXXIII. ('Yes, call me by my pet-name! let me hear')
- 472. XXXIV. ('With the same heart, I said, I'll answer thee')
- 473. XXXV. ('If I leave all for thee, wilt thou exchange')
- 474. XXXVI. ('When we met first and loved, I did not build')
- 475. XXXVII. ('Pardon, oh, pardon, that my soul should make')
- 476. XXXVIII. ('First time he kissed me, he but only kissed')
- 477. XXXIX. ('Because thou hast the power and own'st the grace')
- 478. XL. ('Oh, yes! they love through all this world of ours!')
- 479. XLI. ('I thank all who have loved me in their hearts')
- 480. XLII. ('How do I love thee? Let me count the ways.')
- 481. XLIII. ('Beloved, thou hast brought me many flowers')
- Appendix: Mary Robinson's Preface to Sappho and Phaon
- Notes to the Poems and Sources
- Index of Titles, Authors, and First Lines
- A
- B
- C
- D
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System requirements
File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.