
Chaotic Justice
Description
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Ernest revisits the work of nineteenth-century writers and activists such as Henry “Box” Brown, Frederick Douglass, Harriet Wilson, William Wells Brown, and Sojourner Truth, demonstrating that their concepts of justice were far more radical than those imagined by most white sympathizers. He sheds light on the process of reading, publishing, studying, and historicizing this work during the twentieth century. Looking ahead to the future of the field, Ernest offers new principles of justice that grant fragmented histories, partial recoveries, and still-unprinted texts the same value as canonized works. His proposal is both a historically informed critique of the field and an invigorating challenge to present and future scholars.
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Content
- Intro
- Contents
- Acknowledgments
- INTRODUCTION: Loosed Canons: The Race for Literary History
- CHAPTER ONE: Representing Chaos and Reading Race
- CHAPTER TWO: Truth Stranger than Fiction: African American Identity and (Auto) Biography
- CHAPTER THREE: The Shortest Point between Two Lines: Writing African Americans into American Literary History
- CHAPTER FOUR: Choreographing Chaos: African American Literature in Time and Space
- CHAPTER FIVE: The Story at the End of the Story: African American Literature and the Civil War
- CONCLUSION: Covenants and Communities: The Demands of African American Literature
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- R
- S
- T
- U
- V
- W
- Y
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