Lion's Share
Remaking South African Copyright
1st Edition
Published on 28. October 2022
400 pages
978-1-4780-2359-3 (ISBN)
Description
Veit Erlmann examines the role of copyright law in post-apartheid South Africa and its impact on the South African music industry, showing how copyright is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.
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Book
12/2022
Duke University Press
€35.40
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Person
Veit Erlmann is Professor and Endowed Chair of Music History at the University of Texas, author of Reason and Resonance: A History of Modern Aurality and Music, Modernity, and the Global Imagination: South Africa and the West, and editor of Hearing Cultures: Essays on Sound, Listening, and Modernity.
Content
Acknowledgments ix
Introduction. "We Do Not Speak the Same Language" 1
1. Aspirations and Apprehensions: Toward an Anthropology in Law 16
2. The Past in the Present: Copyright, Colonialism, and "The Lion Sleeps Tonight" 62
3. Assembling Tradition, Representing Indigeneity: The Making of the Intellectual Property Laws Amendment Act 28 of 2013 109
4. Circulating Evidence: The Truth about Piracy 174
5. Which Collective? The Infrastructure of Royalties 232
Conclusion. How to Speak the Same Language, or at Least Try To 301
Appendix. Southern African Copyright: The Basics 309
Notes 315
Bibliography 345
Index 371
Introduction. "We Do Not Speak the Same Language" 1
1. Aspirations and Apprehensions: Toward an Anthropology in Law 16
2. The Past in the Present: Copyright, Colonialism, and "The Lion Sleeps Tonight" 62
3. Assembling Tradition, Representing Indigeneity: The Making of the Intellectual Property Laws Amendment Act 28 of 2013 109
4. Circulating Evidence: The Truth about Piracy 174
5. Which Collective? The Infrastructure of Royalties 232
Conclusion. How to Speak the Same Language, or at Least Try To 301
Appendix. Southern African Copyright: The Basics 309
Notes 315
Bibliography 345
Index 371
