Remaking the <I>Comedia</I>
Spanish Classical Theater in Adaptation
1st Edition
Published on 16. April 2015
323 pages
978-1-78204-498-7 (ISBN)
Description
Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.
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04/2015
Tamesis Books
€96.50
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Content
Preface
Terms and Concepts: The Adaptation of Classical Texts for the Stage
"Los senderos qu se bifurcan": Adaptation, Appropriation, and the Proliferation of Possibilities
Interpretative Directing Games for the Golden Age Repertory
Re-Make, Re-Mix, Re-Model
Refundación Redux: Revisiting the Rewritten Comedia
Pepe Estruch and the Performance of Golden Age Drama: International Relationships under Franco and Democratic Theatrical Cultures
Thinking Globally, Acting Locally, and Performing Nationalism: Local, National, and Global Remakes of the Comedia
Four Decades of the Chamizal Siglo de Oro Drama Festival and the Evolution of Comedia Performance
Early Modern Dramaturgas: A Contemporary Performance History
Adapting Lope de Vega for the English-Speaking Stage
The Dog in the Manger: The Continuum of Transformation
El Caballero de Olmedo: Los Barracos's Baroque Gentleman
Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico's El caballero de Olmedo
The Phoenix of Madrid: Calderón's No hay burlas con el amor Reborn in Bath
A Prince in Pittsburgh: "Recasting" a Contemporary Staging of The Constant Prince
Directing Marta the Divine: Provocative Choices in the Service of the Story
The Dramaturgy of Absence: Minding the Gaps in Tirso de Molina, Ana Caro, and Feliciana Enríquez
Translations and Transgressions: Twenty-First Century Questions Regarding Zayas
Comedia Actresses, Then and Now: The Case of Ana Caro's Valor, agravio y mujer
"Kinesthetic Empathy" and the Comedia Refundición
Porous Boundaries: Novela or Comedia?
Lope de Vega and Lenfilm: The Dog in the Manger's Cross-Cultural Journey
Classical Theater and Puppetry: La Máquina Real
Remaking Moreto's El Desdén con el desdén: From Author's Text to Director's Text
Lope's Peribáñez on the Lyric Stage
A Musical Marta
Appendix: Play Titles Cited
Works Cited
Terms and Concepts: The Adaptation of Classical Texts for the Stage
"Los senderos qu se bifurcan": Adaptation, Appropriation, and the Proliferation of Possibilities
Interpretative Directing Games for the Golden Age Repertory
Re-Make, Re-Mix, Re-Model
Refundación Redux: Revisiting the Rewritten Comedia
Pepe Estruch and the Performance of Golden Age Drama: International Relationships under Franco and Democratic Theatrical Cultures
Thinking Globally, Acting Locally, and Performing Nationalism: Local, National, and Global Remakes of the Comedia
Four Decades of the Chamizal Siglo de Oro Drama Festival and the Evolution of Comedia Performance
Early Modern Dramaturgas: A Contemporary Performance History
Adapting Lope de Vega for the English-Speaking Stage
The Dog in the Manger: The Continuum of Transformation
El Caballero de Olmedo: Los Barracos's Baroque Gentleman
Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico's El caballero de Olmedo
The Phoenix of Madrid: Calderón's No hay burlas con el amor Reborn in Bath
A Prince in Pittsburgh: "Recasting" a Contemporary Staging of The Constant Prince
Directing Marta the Divine: Provocative Choices in the Service of the Story
The Dramaturgy of Absence: Minding the Gaps in Tirso de Molina, Ana Caro, and Feliciana Enríquez
Translations and Transgressions: Twenty-First Century Questions Regarding Zayas
Comedia Actresses, Then and Now: The Case of Ana Caro's Valor, agravio y mujer
"Kinesthetic Empathy" and the Comedia Refundición
Porous Boundaries: Novela or Comedia?
Lope de Vega and Lenfilm: The Dog in the Manger's Cross-Cultural Journey
Classical Theater and Puppetry: La Máquina Real
Remaking Moreto's El Desdén con el desdén: From Author's Text to Director's Text
Lope's Peribáñez on the Lyric Stage
A Musical Marta
Appendix: Play Titles Cited
Works Cited
