
Immaculate Deception and Further Ribaldries
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Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies-more extant than in any other vernacular-have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.
Reviews / Votes
"Scurrilous, sexy, stupid, satirical, scatological, side-splitting, and probably something else beginning with 's,' Jody Enders's translation of twelve French farces is a real discovery that goes a long way to readjusting our perception of the Middle Ages. Enders is a great champion of comedy at its most vulgar and hilarious. She points out that however silly or banal these farces may appear to us, they nonetheless confront the real controversies of their day over the law, politics, religion, social order, or the battle of the sexes. Thoroughly grounded in her academic approach to the subject, Enders nevertheless writes with liveliness and humor and wit. She is unafraid to reference modern comedy in her translations and insists on the primacy of performance in assessing these comedies from half a millennium ago." (Terry Jones, on Enders's Farce of the Fart)All prices
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Content
- Cover
- Title Page
- Copyright
- Dedication
- Contents
- Abbreviations
- Introduction: Nothing Sacred
- About This Translation
- Feminist Dramaturgy: An Encore Performance
- High Art, Low Art
- On Anonymity, Naming, and Renaming
- Critical Apparatus, Stage Directions, Composite Editions
- Editions and Printed Sources
- Order of Presentation: Intertextuality, "Intersexuality," and Casting
- Oh, Brother! Costuming the Medieval Monastic Orders
- Curses and Exclamations
- Money, Money, Money
- Prose, Verse, Music, and Choreography
- Brief Plot Summaries
- The PLAYS
- Actors' Prologue
- 1. The Con-Man's Confession [La Confession Rifflart] (RT, #57)
- 2. Blue Confessions, or, Sweet Margot Spills [La Confession de Margot] (RBM, #21)
- 3. Highway Robbery, or, A Criminal Confession [La Confession du Brigant au Curé] (RC, #10)
- 4. Confessions of a Medieval Drama Queen, or, The Theologina Dialogues [La Farce de quatre femmes] (RC, #46)
- 5. Confession Follies: Folie à Deux? [Le Badin, la Femme, et la Chambrière] (RBM, #16)
- 6. Brother Fillerup [Frère Fillebert] (RLV, #63)
- 7. Bro Job, or, Cum Hither [Les Chamberières qui vont à la messe de cinq heures] (RBM, #50)
- 8. The Resurrection of Johnny Palmer [La Resurrection Jenin à Paulme] (RC, #50)
- 9. The Resurrection of Johnny Slack-Jaw, or, The Harrowing of Heaven [La Résurrection de Jenin Landore] (RBM, #24)
- 10. The Pardoners' Tales, or, Panderers' Box [La Farce d'un Pardonneur, d'un Triacleur et d'une Tavernière] (RBM, #26)
- 11. Slick Brother Willy [Frère Guillebert] (RBM, #18)
- 12. Immaculate Deception, or, Nuns Behaving Badly [Farce nouvelle à cinq parsonnages] (Soeur Fessue) (RLV, #38)
- Appendix: Scholarly References to Copyrighted Materials
- Notes
- Bibliography
- Acknowledgments
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This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.
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The file format ePUB works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
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