
Identity Of Yeats
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Content
- Intro
- TABLE OF CONTENTS
- PREFACE
- CHAPTER I-INTRODUCTION
- CHAPTER II-THE SEARCH FOR LIMITS
- I. BECOMING IRISH
- II. ARTISTIC DISCIPLINE
- III. THE SYMBOLIC INFLECTION
- IV. MARSHALLING THE ELEMENTS
- CHAPTER III-ASSERTION WITHOUT DOCTRINE
- I. BELIEF
- II. IDEAS OVERPOWERED
- III. SYMBOLIST THEORY
- CHAPTER IV-ICONOGRAPHY
- 1 THE STRUCTURE
- II. THE GAMUT OF ROSES
- III. THE TREE AND THE SERPENT
- IV. A SYMBOLIC DRAMA
- CHAPTER V-THE PURSUIT OF SPONTANEITY
- I. THATCH AND GUTTER
- II THE SCHEMATIZATION EXPANDED
- III. A POETRY OF PARTIAL REACTION
- IV RECONSTRUCTED THE PHANTASMAGORIA
- CHAPTER VI-STYLE AND RHETORIC
- 1. EARLY PRACTICE
- II. STYLISTIC CHANGES, 1889-99
- III. SELF-PORTRAITURE
- CHAPTER VII-SYMBOLS AND RITUALS IN THE LATER POETRY
- I. ANCHORAGES
- II. 'A VISION'
- III THE NEW SYMBOLS
- IV. SYMBOLS IN THE POEMS
- V. RITUALIZING
- CHAPTER VIII-THE FINAL FORM OF EXPERIENCE
- I. CULTIVATED EXTRAVAGANCE
- II. THE TENSIONS OF EAST AND WEST
- III THE ULTIMATE STYLE
- IV. BALLAD RHYTHMS
- V. 'AN OLD MAN'S EAGLE MIND' AND ITS THEMES
- CHAPTER IX-THE ART OF YEATS: AFFIRMATIVE CAPABILITY
- I. VARIETIES OF THE IMAGE
- II. IMAGES IN OPERATION
- III. DEATH AND LAST THINGS
- IV. IMAGES AND DAIMONS
- V. THE DUTY OF AFFIRMATION
- VI. YEATS OUT OF CONTEXT
- APPENDIX-TOWARDS A READING OF THE POEMS
- A CHRONOLOGY OF THE COMPOSITION OF THE POEMS
- CROSSWAYS (1889)
- THE ROSE (1893)
- THE WIND AMONG THE REEDS (1899)
- IN THE SEVEN WOODS (1903)
- FROM THE GREEN HELMET AND OTHER POEMS (1910)
- RESPONSIBILITIES (1914)
- THE WILD SWANS AT COOLE (1919)
- MICHAEL ROBARTES AND THE DANCER (1921)
- THE TOWER (1928)
- THE WINDING STAIR AND OTHER POEMS (1933)
- WORDS FOR MUSIC PERHAPS
- A WOMAN YOUNG AND OLD
- FROM A FULL MOON IN MARCH (1935)
- LAST POEMS (1936-1939)
- NARRATIVE AND DRAMATIC
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