Researching Historical Screen Audiences
1st Edition
Published on 31. January 2022
264 pages
978-1-4744-7784-0 (ISBN)
Description
Considers the challenges of historical audience research in the field of screen studies.
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Kate Egan | Martin Smith | Jamie Terrill
Researching Historical Screen Audiences
Book
12/2021
Edinburgh University Press
€123.50
Shipment within 15-20 days
Content
- Intro
- List of Figures
- Acknowledgements
- Notes on Contributors
- Introduction
- PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD
- 1. Audience as Palimpsest, or the Structures of Cinematic Feeling: On Historical Film Audience Research and Cinema's Imaginative Power
- 2. From Cinema Culture to Cinema Memory: A Conceptual and Methodological Trajectory
- 3. Constructing Cinema Audience Histories: Methodological Choices and Challenges
- PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES
- 4. Cinemas and Cinema Audiences in the 'Third Space' in Warsaw, 1908-1939
- 5. German Films in Brazil: Immigration, Associations and National Film Culture
- 6. Emotional Communities in the Cinema: Tracing Emotion in Mass Observation Cinema Records, 1937-1950
- PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES
- 7. 'Make Your Public Curious': Cinema Management, Film Advertising and Audience Taste in England, c. 1920-c. 1960
- 8. Harry Sanders: Remembering a Life in Cinema Management
- 9. The Yellow Teddybears : Exploitation as Education
- PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES
- 10. Archives, Sources and Memories for a History of Early Italian TV Audiences
- 11. The Exorcist in the Home: Remembering Parental Regulation
- 12. Childhood Memories of Horror Films in the Home: Questions, Patterns and Contexts
- Index
