
Shifting Subjects
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Taken together, the women who form the corpus of this study move beyond critics' current understandings of textual representations of selfhood. Informed by postcolonial and feminist approaches to selfhood, this book charts the history of theories of autobiography and plots new ways of imagining this genre. This cross-section of international writers calls for a new understanding of the inscription of female identity in narrative; not as a binary of individual versus plural selfhood, but as a cluster of categories of identity beyond "I" and "we."
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Content
Chapter 2 Chapter 1: Gisele Halimi's Self-(Re)Writing Project
Chapter 3 Chapter 2: Fictional Doubles in Julia Kristeva'sLes samourais
Chapter 4 Chapter 3: Archive and Autobiography in Assia Dejbar's Vaste est la prison
Chapter 5 Chapter 4: The Displaced Autobiographical Subject in Helene Cixous's Les reveries de la femme sauvage
Chapter 6 Conclusion: New Textual Identities
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