
Return to Good and Evil
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"Right now the whole world seems to be going through a dark night of the soul," O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism-Nietzche's idea that "God is dead"-preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster.
With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.
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Content
Chapter 2 O'Connor contra Nihilism
Chapter 3 Modern Man as Malgre Lui in Wise Blood
Chapter 4 Wise Blood and the Difficult Return to God
Chapter 5 "Good Country People" and the Seduction of Nihilism
Chapter 6 The Nature of Evil in "The Lame Shall Enter First"
Chapter 7 Social Change in "The Enduring Chill"
Chapter 8 Modernity versus Mystery in "A View of the Woods"
Chapter 9 Redemption and the Ennoblement of Suffering in "The Artificial Nigger"
Chapter 10 Grace, the Devil, and the Prophet
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