
A Common Strangeness
Description
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In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flaneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.
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Person
Jacob Edmond teaches English at the University of Otago, New Zealand.
Content
- Cover
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1. Yang Lian and the Flâneur in Exile
- 2. Arkadii Dragomoshchenko and Poetic Correspondences
- 3. Lyn Hejinian and Russian Estrangement
- 4. Bei Dao and World Literature
- 5. Dmitri Prigov and Cross-Cultural Conceptualism
- 6. Charles Bernstein and Broken English
- Conclusion
- Notes
- Works Cited
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- R
- S
- T
- U
- V
- W
- Y
- Z
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