
Printing the Middle Ages
Description
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Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.
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Content
- Cover
- Title
- Copyright
- Contents
- Preface: The Mark of the Medieval
- A Note on Bibliographic Formats
- Introduction. Plowmen and Pastiche: Representing the Medieval Book
- 1. Form and Rude Letters: The Representation of Old English
- 2. The True History of Sir Guy (and What Happened to Sir Bevis?)
- 3. Aristocratic Antiquaries: Gower on Gower
- 4. Bedtime Chaucer: Juvenile Adaptations and the Medieval Canon
- 5. Froissart's not French (or Flemish): The Travels of a Medieval History
- Coda. The Ghost in the Machine: Digital Avatars of Medieval Manuscripts
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z
- Acknowledgments
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File format: PDF
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