
Researchers as Tourists
Fieldwork, Contingency and Autoethnography
Routledge (Publisher)
Published on 11. May 2026
204 pages
978-1-040-92084-8 (ISBN)
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Description
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Academics are often tourists-curious, observant, and ethically entangled in the worlds they move through, blurring the lines between research and leisure, between consumption and contemplation in contemporary cultural studies.
Through reflexive and often autoethnographic accounts, these scholar-tourists expose the tensions between authenticity and performance, ethics and enjoyment, distance and immersion across diverse geographical and cultural contexts. Their narratives resist the polished detachment of traditional academic writing, instead foregrounding uncertainty, humour, and vulnerability as legitimate modes of knowing. The contributions navigate unpredictable encounters where theory, emotion, and experience converge, revealing how academic tourism is itself a form of cultural production-one that consumes and interprets the world while also being shaped by it. From fieldwork contingency and positional reflexivity to tourism as consumption, the chapters examine ethical dilemmas across Africa, Antarctica, Asia and beyond.
This volume will be of interest to researchers and advanced students in cultural studies, tourism studies, media studies, anthropology, and autoethnographic research methodologies as well as scholars working in reflexive research practices and the ethics of academic mobility. The collection serves as an essential resource for postgraduate courses exploring research ethics, cultural tourism, and embodied research methodologies. This book was originally published as a special issue of Critical Arts: South-North Cultural and Media Studies.
Through reflexive and often autoethnographic accounts, these scholar-tourists expose the tensions between authenticity and performance, ethics and enjoyment, distance and immersion across diverse geographical and cultural contexts. Their narratives resist the polished detachment of traditional academic writing, instead foregrounding uncertainty, humour, and vulnerability as legitimate modes of knowing. The contributions navigate unpredictable encounters where theory, emotion, and experience converge, revealing how academic tourism is itself a form of cultural production-one that consumes and interprets the world while also being shaped by it. From fieldwork contingency and positional reflexivity to tourism as consumption, the chapters examine ethical dilemmas across Africa, Antarctica, Asia and beyond.
This volume will be of interest to researchers and advanced students in cultural studies, tourism studies, media studies, anthropology, and autoethnographic research methodologies as well as scholars working in reflexive research practices and the ethics of academic mobility. The collection serves as an essential resource for postgraduate courses exploring research ethics, cultural tourism, and embodied research methodologies. This book was originally published as a special issue of Critical Arts: South-North Cultural and Media Studies.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
College/higher education
File size
141,34 MB
ISBN-13
978-1-040-92084-8 (9781040920848)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
05/2026
1st Edition
Routledge
€230.27
Shipment within 15-20 days
Persons
Lauren Dyll is a National Research Foundation-rated scholar and Associate Professor at the University of KwaZulu-Natal, Durban, South Africa, with research interests in cultural heritage and tourism, participation, identity, and knowledge production. She is the co-chair of the Participatory Communication Research Section of the International Association for Media and Communication Research and is the co-editor of the journal Critical Arts: South-North Cultural and Media Studies.
Keyan G. Tomaselli is Distinguished Professor of Humanities at the University of Johannesburg, South Africa, and a founder and the co-editor of Critical Arts. His applied research on cultural tourism from the perspectives of both subjects and tourists is widely published and impactful of actual ventures across South Africa.
Keyan G. Tomaselli is Distinguished Professor of Humanities at the University of Johannesburg, South Africa, and a founder and the co-editor of Critical Arts. His applied research on cultural tourism from the perspectives of both subjects and tourists is widely published and impactful of actual ventures across South Africa.
Content
Introduction: researchers as tourists Part 1: Fieldwork contingency and analytic devices to challenge assumptions: cultural studies and positional reflexivity 1. Telling a good story 2. Drawing flies: artwork in the field 3. Travel to a place both sad and cute 4. Privileged migration: American undergraduates, study abroad, academic tourism 5. In praise of religious reflexivity: reflections from fieldwork 6. Stumbling over researcher positionality and political-temporal contingency in South African second-home tourism research 7. The tourism researcher: ethical dilemmas during fieldwork in Africa, Bali and Myanmar Part 2: Tourism as consumption 8. Consuming nature: Antarctica, penguins and pollution 9. The baba and the patrao: negotiating localness in the tourist village 10. Your comfortable shopping 11. The final frontier? An expedition to Antarctica and implications for the future 12. Authenticity and the contradictions of the "ecotourism script": global marketing and local politics in Ghana
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