
Live Looping in Musical Performance
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Written by musicians and researchers from Portuguese-speaking countries, this book comprises eleven chapters that delve into various musical contexts, genres, and practices. The novelty of including collaborative texts written alongside non-professional researchers offers the possibility of drawing from real experience to consider how live looping has been changing and "cyborguising" the concept of music, the ritual of the performance, the identity of the musicians, and the public's expectations.
Live Looping in Musical Performance provides cutting-edge reading for composers and performers, as well as ethnomusicologists, students, and researchers working in the areas of music production, technology, and performance. This book addresses a broader audience, both academic and non-academic, who are interested in new processes of musical creativity in a post-human world.
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Susana Sardo is Associate Professor of Ethnomusicology at the University of Aveiro in Portugal and Visiting Professor at Goa University in India, for the Cunha Rivara Chair. Her research interests include music and post-colonialism, sound archives, music in the Lusophone world, and the intersection of music and post-dictatorship regimes. Since 2013 she has been actively engaged in promoting shared research practices in ethnomusicology using research as a means for social transformation in the field. Susana Sardo is also the co-chair of the Study Group of Historical Sources for the International Council for Traditional Music (ICTM). In 2007, she founded the University of Aveiro branch of the Institute of Ethnomusicology - Research Center for Music and Dance (INET-md), which she coordinated until January 2023.
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