
The Big Money
Description
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"It is not simply that [Dos Passos] has a keen eye for people, but that he has a keen eye for so many different kinds of people."-The New York Times
Marking the end of "one of the most ambitious projects that an American novelist has ever undertaken" (Time), The Big Money brings us back to America after the Great War, a nation on the upswing. Industrialism booms. The stock market surges. Lindbergh takes his solo flight. Henry Ford makes automobiles. From New York to Hollywood, love affairs to business deals, it is a country taking the turns too fast, speeding toward the crash of 1929.
Ultimately, whether the novels of John Dos Passos's classic USA Trilogy are read together or separately, they paint a sweeping portrait of collective America-and showcase the brilliance and bravery of one of its most enduring and admired writers. The Big Money, focusing on a passionate pilot whose compromises culminate in despair and an actress led astray by her ambitions, completes this "fable of America's materialistic success and moral decline" (American Heritage).All prices
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Person
John Roderigo Dos Passos (b.1896, d.1970) was a writer, painter, and political activist. He wrote over forty books, including plays, poetry, novels, biographies, histories, and memoirs. He crafted over four hundred drawings, watercolors, and other artworks. Dos Passos considered himself foremost a writer of contemporary chronicles. He chose the moniker of "chronicler" because he was happiest working at the edge of fiction and nonfiction. Both genres benefited from his mastery of observation-his "camera eye"-and his sense of historical context. Dos Passos sought to ground fiction in historic detail and working-class, realistic dialogue. He invented a multimedia format of newsreels, songs, biographies, and autobiography to convey the frenzy of 20th century America's industrialism and urbanism. His most memorable fiction- Three Soldiers (1920), Manhattan Transfer (1925), U.S.A. (1938)-possesses the authority of history and the allure of myth. Likewise, he sought to vitalize nonfiction history and reportage with the colors, sounds, and smells documented on his journeys across the globe.
Content
- Intro
- Title Page
- Table of Contents
- Copyright
- Foreword
- Charley Anderson
- Newsreel XLIV
- Charley Anderson
- Newsreel XLV
- The American Plan
- Newsreel XLVI
- The Camera Eye (43)
- Newsreel XLVII
- The Camera Eye (44)
- Charley Anderson
- Newsreel XLVIII
- Tin Lizzie
- Newsreel XLIX
- Charley Anderson
- Newsreel L
- The Bitter Drink
- Newsreel LI
- Mary French
- The Camera Eye (45)
- Mary French
- The Camera Eye (46)
- Newsreel LII
- Art and Isadora
- Newsreel LIII
- Margo Dowling
- Newsreel LIV
- Adagio Dancer
- Newsreel LV
- The Camera Eye (47)
- Charley Anderson
- Newsreel LVI
- The Camera Eye (48)
- Margo Dowling
- Newsreel LVII
- Margo Dowling
- Newsreel LVIII
- The Campers at Kitty Haw
- Newsreel LIX
- Charley Anderson
- Newsreel LX
- Margo Dowling
- Newsreel LXI
- Charley Anderson
- Newsreel LXII
- Margo Dowling
- Newsreel LXIII
- Architect
- Newsreel LXIV
- The Camera Eye (49)
- Newsreel LXV
- Mary French
- Newsreel LXVI
- The Camera Eye (50)
- Newsreel LXVII
- Poor Little Rich Boy
- Richard Ellsworth Savage
- Newsreel LXVIII
- The Camera Eye (51)
- Power Superpower
- Mary French
- Vag
- About the Author
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- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePUB works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
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