
The Films of Samuel Fuller
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Person
LISA DOMBROWSKI is an associate professor of film studies at Wesleyan University.
Content
- Intro
- Cover
- Title Page
- Copyright
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- The Fuller Biographical Legend
- Fuller as Storyteller
- Movement and Conflict
- Chapter One: The Lippert Years, 1948-1951
- The Marketplace for Low-Budget Films
- Early Experiments: I Shot Jesse James and The Baron of Arizona
- Establishing a Voice: The Steel Helmet
- Chapter Two: The Fox Years, 1951-1956
- The Trade-offs of Studio Filmmaking
- Return to War: Fixed Bayonets
- Complete Independence: Park Row
- Brutality: Pickup on South Street
- Classical Style: Hell and High Water and House of Bamboo
- Chapter Three: The Globe Years, 1956-1961
- The Challenges of Independence
- No Holds Barred: Run of the Arrow, China Gate, Forty Guns, and Verboten!
- Sensational Style: The Crimson Kimono and Underworld, U.S.A.
- Chapter Four: The Freelance Years, 1961-1964
- Return to War: Merrill's Marauders
- Adult Exploitation: Shock Corridor and The Naked Kiss
- Fuller Goes to Vietnam: The Rifle
- Chapter Five: The Final Battles, 1965-1997
- Critical Recognition, Professional Frustration
- Loose Ends: Shark! and Dead Pigeon on Beethoven Street
- A Personal Journey: The Big Red One
- Inciting Controversy: White Dog
- In Exile: Thieves After Dark and Street of No Return
- Conclusion
- Notes
- Filmography
- Bibliography
- Index
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