
ReClaiming Participation
Description
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Reviews / Votes
Besprochen in:GMK-Newsletter, 4 (2016)Zivilgesellschaft Info, 1 (2016)More details
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Persons
Mathias Denecke, Ruhr-Universität Bochum, Deutschland
Mathias Denecke ist wissenschaftlicher Mitarbeiter am Institut für Medienwissenschaft der Ruhr-Universität Bochum. Seine Forschungsschwerpunkte sind Medientheorie, Infrastrukturen und Logistik.
Isabell Otto, Universität Konstanz, Deutschland
Isabell Otto (Prof. Dr.) ist Professorin für Medienwissenschaft mit Schwerpunkt mediale Teilhabe in digitalen Kulturen an der Universität Konstanz.
ISNI: 0000 0000 6159 8115
Robert Stock, Humboldt-Universität zu Berlin, Deutschland
Robert Stock (Prof. Dr.) ist Juniorprofessor für Kulturen des Wissens am Institut für Kulturwissenschaft der Humboldt-Universität zu Berlin. Nach einem Studium der Europäischen Ethnologie in Berlin und Lissabon promovierte er mit einer Arbeit über kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal an der Justus-Liebig-Universität Gießen.
ISNI: 0000 0004 9990 6207
Content
- Cover ReClaiming Participation
- Table of Contents
- Introduction
- I. PARTICIPATORY PRACTICES AND DIGITAL MEDIA
- Introduction: Objects of Citizen Participation
- Collectives, Connectives, and the 'Nonsense' of Participation
- Editors of Play. Scripts of Participation in Co-Creative Media
- Multimodal Crowd Sensing
- Micro-activist Affordances of Disability. Transformative Potential of Participation
- II. PARTICIPATION AND THE CLAIMS OF COMMUNITY
- Introduction: Questioning Community
- Other Beginnings of Participative Sense-Culture. Wild Media, Speculative Ecologies, Transgressions of the Cybernetic Hypothesis
- Partial Visibilities, Affective Affinities: On (Not) Taking Sides
- "Man in the Loop". The Language of Participation and the New Technologies of War
- Temporal Regimes of Protest Movements. Media and the Participatory Condition
- Liquid Democracy. And other Fixes to the Problem of Democracy
- III. ART AND MEDIA: THEORY OF PARTAKING
- Introduction: Participation and Relation
- Artfulness. Emergent Collectivities and Processes of Individuation
- Art and Design as Social Collaborative Praxis. Engineering the Utopian Community or the Implosion of a Techno-Aesthetic Reason
- 'Choir of Minds'. Oral Media-Enthusiasm and Theories of Communal Creation (18th-20th Century)
- Mobilizing Memes. The Contagious Socio-Aesthetics of Participation
- Who Will Translate the Web? Machines, Humans, and Reinventing Translation as a Participatory Practice
- PERSPECTIVES
- Between Demand and Entitlement. Perspectives on Researching Media and Participation
- Contributors
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