
Not without Madness
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Content
- Intro
- Contents
- Preface
- Acknowledgments
- Note on Terminology
- Introduction
- I. Theory and Analysis
- 1. Emotion and Action: On the Theory of Italian Opera
- 2. Ernani: The "Carlo Quinto" Act
- 3. "O cieli azzurri": Exoticism and Dramatic Discourse in Aida
- 4. What "Happens" in the Act 2 Finale of Le nozze di Figaro?
- 5. The Death of King Duncan: From Shakespeare to Verdi, via the French Revolution
- 6. "D'amor sull'ali rosee": Analyzing Melody and the Creative Process
- II. History and Criticism
- 7. Some Difficulties in the Historiography of Italian Opera
- 8. Verdi: The Italian Tradition and the European Experience
- 9. Meyerbeer in Nineteenth-Century Italian Criticism and the Idea of"Musical Drama"
- 10. Alberto Mazzucato and the Beginnings of Italian Verdi Criticism
- 11. Parola scenica in Verdi and His Critics
- 12. Gabriele Baldini on Verdi: A Theory of Opera
- Notes
- Bibliography
- Index
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