The Devil's Church
Description
"The greatest writer ever produced in Latin America."
Susan Sontag, writer and activist
"The supreme black literary artist to date."
Harold Bloom, literary critic
The Devil's Church ( A Igreja do Diabo) is a masterful short story from Brazil's most celebrated writer, Machado de Assis, originally published in 1883. In this wickedly clever satirical tale, the Devil himself decides to establish his own church, seeking to institutionalize and legitimize sin in direct opposition to God's teachings. With characteristic wit and psychological insight, Machado weaves a story that serves as both a religious allegory and a sharp critique of human nature and social hypocrisy.
In this revelatory work, Machado explores themes of morality, human contradiction, and institutional power with his characteristic sardonic humor. As the Devil meticulously builds his anti-church, he discovers an uncomfortable truth about human nature that readers will find both amusing and unsettlingly relevant to contemporary society. The story exemplifies Machado's unique ability to use seemingly simple narratives to expose profound truths about human behavior and social structures.
For readers interested in world literature, religious satire, or masterfully crafted short fiction, "The Devil's Church" provides a concise but powerful demonstration of why Machado de Assis's work continues to resonate with audiences over a century after its original publication.
More details
Persons
Joaquim Maria Machado de Assis (1839-1908) emerged as Brazil's preeminent literary figure despite humble beginnings. Born in Rio de Janeiro to a house painter father and a washerwoman mother, with grandparents who had been enslaved, Machado became a self-taught intellectual who would revolutionize Brazilian literature. His journey began as a typesetter's apprentice, progressing through journalism to become a celebrated writer.
A profound transformation in his writing occurred around age 40, following a health crisis that included near-blindness and struggles with epilepsy. During this period, he produced his most celebrated works, including "The Posthumous Memoirs of Brás Cubas" (1881) and "Dom Casmurro" (1899). Susan Sontag hailed him as "the greatest writer ever produced in Latin America," while Harold Bloom described him as "the supreme black literary artist to date."
Throughout his career, Machado balanced his literary pursuits with civil service work at the Ministry of Agriculture. His marriage to Carolina Augusta Xavier de Novais, a Portuguese woman of noble descent, provided stability during his 35-year literary journey. As founder and first president of the Brazilian Academy of Letters in 1897, he helped shape his country's literary institutions while producing works that drew comparisons to Flaubert, Henry James, Beckett, and Kafka.
Despite his literary genius, Machado's international recognition came decades after his death. It wasn't until new translations appeared in the 1990s that English-speaking readers began to fully appreciate his innovative narrative techniques and psychological depth. His influence extends to modern literary giants, with writers like John Barth and Donald Barthelme acknowledging his impact on their work.
