
Pop Cinema
Description
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Content
- Cover
- Half Title
- Title Page
- Copyright
- Contents
- List of Figures/Illustrations
- Notes on Contributors
- Introduction: Towards a Pop Cinema
- Part 1: Framing Pop Cinema
- 1. Notes on Pop Cinema, Revisited
- 2. Pop and Cinema: Three Tendencies
- Part 2: Pop Cinema's Parameters
- 3. Times Square as Pop Readymade: William Klein's Broadway by Light (1958)
- 4. Arocha's Black and White Pop: History, Desire and Politics in 1960s Colombia in Las ventanas de Salcedo (1966)
- 5. Psychedelic Agit-Pop: The Animated Films of Tadanori Yokoo
- 6. Some Like It Pop: Replication and Repetition in Bruce Conner's MARILYN TIMES FIVE (1968-73)
- 7. A Lost White Girl of Pop: Writing the Drive to Fantasise in Daddy (1973)
- Part 3: Pop Cinema, Mass Production and the Politics of Consumption
- 8. Always Crashing in the Same Car
- 9. Wynn Chamberlain's Brand X (1970) and the Politics of the Generic
- 10. The Other Children of Marx and Coca-Cola: Pop Cinema in Eastern Europe
- 11. 'Mouthpiece of the Dictatorship': Television and the Domestic Sphere in Brazilian Women's 'Pop Cinema', 1972-77
- 12. 'Manhandle the Merchandise': Michael Snow's Breakfast (Table Top Dolly) (1976)
- Appendix: A Pop Cinema Filmography
- Index
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