Coproduction in the Recording Studio
Perspectives from the Vocal Booth
1st Edition
Published on 21. October 2021
108 pages
978-1-000-51702-6 (ISBN)
Description
Coproduction in the Recording Studio: Perspectives from the Vocal Booth details how recording studio environments affect performance in the vocal booth.
Drawing on interviews with professional session singers, this book considers sociocultural and sociotechnical theory, the modern home studio space, as well as isolation and self-recording in light of the COVID-19 pandemic.
This is cutting-edge reading for advanced undergraduates, scholars and professionals working in the disciplines of recording studio production, vocal performance, audio engineering and music technology.
Drawing on interviews with professional session singers, this book considers sociocultural and sociotechnical theory, the modern home studio space, as well as isolation and self-recording in light of the COVID-19 pandemic.
This is cutting-edge reading for advanced undergraduates, scholars and professionals working in the disciplines of recording studio production, vocal performance, audio engineering and music technology.
More details
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ebooks
Target group
Professional and scholarly
College/higher education
Product notice
Reflowable
Illustrations
3 Tables, black and white; 6 Halftones, black and white; 6 Illustrations, black and white
ISBN-13
978-1-000-51702-6 (9781000517026)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
09/2023
1st Edition
CRC Press
€35.80
Shipment within 15-20 days
Book
10/2021
1st Edition
CRC Press
€76.40
Shipment within 15-20 days
Person
Rod Davies is Lecturer in Popular Music at Monash University, Australia. He is an experienced session singer with a research focus on creative collaboration in music.
Content
1 Introduction; 2 Stepping into the sociocultural space; 3 Stepping into the creative space; 4 Stepping into the sociotechnical space; 5 Stepping into the remote recording space; 6 What does this mean?
