
David Fincher's Zodiac
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This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film's unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac's treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.
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Persons
David Ryan is academic director and faculty chair of the Master of Arts of Professional Communication program at the University of San Francisco.
Content
By Christopher Sharrett
Introduction: The Future of the "Last Serial Killer Movie"
By Matthew Sorrento
SECTION ONE: BEFORE FINCHER
1: Framing the "Mass" Killer: Horror and Spatiality in Peter Bogdanovich's Targets (1968)
By Matthew Sorrento
2: Fear and Exploiting in the Age of Aquarius: Early Representations of the Zodiac Killer in 1970s Film and Television
By Christopher Weedman
3: Hacked to Pisces: An Interview with Tom Hanson on The Zodiac Killer (1971)
By Rod Lott
SECTION TWO: ZODIAC AND NARRATIVE
4: Zodiac and the Melding Criminal Minds of David Fincher
By Jeremy Carr
5: Subverting the Investigator as Hero: Masculinity and Failure in David Fincher's Zodiac
By Theresa Rodewald
6: Performing the Zodiac: Piffle, Paradox, and Self-Promotion
By Daniel R. Fredrick
7: Allegories of Obsession: David Fincher's Zodiac and Edgar G. Ulmer's The Black Cat (1934)
By George Toles
SECTION THREE: ZODIAC AND MEDIA
8: The Dantesque Desires
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