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Description
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In these essays, the acclaimed artist, photographer, writer, and filmmaker Moyra Davey often begins with a daily encounter - with a photograph, a memory, or a passage from a book - and links that subject to others, drawing fascinating and unlikely connections, until you can almost feel the texture of her thinking. While thinking and writing, she weaves together disparate writers and artists - Mary Wollstonecraft, Jean Genet, Virginia Woolf, Janet Malcolm, Chantal Akerman, and Roland Barthes, among many others - in a way that is both elliptical and direct, clearheaded and personal, prismatic and self-examining, layering narratives to reveal the thorny but nourishing relationship between art and life.
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Person
Moyra Davey is a New York-based artist whose work comprises the fields of photography, film and writing. She has produced several works of film, most recently
i confess (2019), which will premiere in North America at the Museum of Modern Art. She is the author of
Burn the Diaries,
The Problem of Reading, and is the editor of
Mother Reader: Essential Writings on Motherhood. Her work is held in major public collections, including the Museum of Modern Art and the Metropolitan Museum of Art in New York, and Tate Modern in London. She is a 2020 recipient of the John S. Guggenheim Memorial Foundation Fellowship.
Content
- Intro
- TITLE PAGE
- FIFTY MINUTES
- TRANSIT OF VENUS
- NOTES ON PHOTOGRAPHY & ACCIDENT
- INDEX CARDS
- EMPTIES
- LES GODDESSES
- ONE YEAR
- RW, JG
- CARYATIDS & PROMISCUITY
- BURN THE DIARIES
- HEMLOCK FOREST
- OPPOSITE OF LOW-HANGING FRUIT
- WEDDING LOOP
- THE PROBLEM OF READING
- I CONFESS
- ACKNOWLEDGEMENTS
- ABOUT THE AUTHOR
- COPYRIGHT
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