
Texts and Readers in the Age of Marvell
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Content
- Front matter
- Contents
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I: Rethinking texts and readers
- Impractical criticism: close reading and the contingencies of history
- 'Small portals': Marvell's Horatian Ode, print culture, and literary history
- Marvell discovers the public sphere
- Extraordinarily ordinary: Nehemiah Wallington's experimental method
- Part II: Rethinking context
- A sense of place: historicism, whither wilt?
- Understanding experience: subjectivity, sex, and suffering in early modern England
- Debating censorship: liberty and press control in the 1640s
- 'Armed winter, and inverted day': the politics of cold in Dryden and Purcell's King Arthur
- Part III: Rethinking literary histories
- The European Marvell
- Waller, Tasso, and Marvell's Last Instructions to a Painter
- Marvell's personal elegy? Rewriting Shakespeare in A Poem upon the Death of O. C.
- How John Dryden read his Milton: The State of Innocence reconsidered
- Part IV: Afterword
- On behalf of the Age of Andrew Marvell?
- Index
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