
Sustaining Indigenous Songs
Description
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Reviews / Votes
"In summary, the book is well-structured, theoretically solid, and ethnographically nuanced and delivers what its title promises: indeed, its strongest feature is the account of continuity and change in Warlpiri ceremonies with a focus on songs. While it will be of value to anthropologists interested in themes such as Aboriginal people, anthropology of music and performance studies, it can also offer a nuanced, albeit challenging in a few parts, introduction to the Aboriginal world(s) for the general audience." * Anthropological Notebooks"I believe the book to provide quite a fascinating and up-to-date glimpse of Warlpiri music, a people who have had many academic collaborators, but whose musical traditions have not received sustained attention in recent years." * Peter Toner, St. Thomas University
"This is a richly detailed ethnography of Warlpiri ritual and song... [It] offers a deeply textured analysis of the Kurdiji ceremony which unpacks the ceremonial structure of kin relations, the dances of 'travelling ancestral women' and the semantics of the song series performed by the men." * Fiona Magowan, Queen's University Belfast
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Person
Content
Foreword
Otto Jungarrayi Sims
Acknowledgments
Notes on Text
Introduction
Chapter 1. Song and ceremony in Indigenous Australia
Chapter 2. Yuendumu: A Brief Social History
Chapter 3. Warlpiri Songs: Rights, Genres, and Ceremonial Contexts
Chapter 4. Kurdiji, a Ceremony for "Making Young Men"
Chapter 5. Holding Warlpiri Songs: Addressing Musical Endangerment
Conclusion
Appendix of songs from the Kurdiji Ceremony
Glossary
References
Index
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