A Critical Companion to Steven Spielberg
Lexington Books (Publisher)
1st Edition
Published on 8. July 2019
1 pages
978-1-9787-8941-8 (ISBN)
Description
A Critical Companion to Steven Spielberg offers a comprehensive, detailed study of the works of Steven Spielberg. Spielberg's early productions stand as landmarks in contemporary cinema, and his involvement with film spans all cinematic genres. Today, Spielberg enjoys an immense and enduring popularity around the globe, and his productions have attracted (and continue to attract) both public and critical attention. This book investigates several distinct areas of Spielberg's works and addresses the different approaches and the range of topics invited by the multidimensionality of his oeuvre. The eighteen chapters in this book use different methodologies, offering a variegated and compelling picture of Spielberg's films, from his earliest works such as Duel (1971) and The Sugarland Express (1974) to his most recent productions, such as The BFG (2016), The Post (2017), and Ready Player One (2018).
More details
Series
Edition
1. Auflage
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
ISBN-13
978-1-9787-8941-8 (9781978789418)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Adam Barkman | Antonio Sanna
A Critical Companion to Steven Spielberg
Book
03/2022
Lexington Books
€47.00
Shipment within 15-20 days
Persons
Adam Barkman is professor of philosophy and chair of the Philosophy Department at Redeemer University College.
Antonio Sanna teaches English language and literature in Sassari, Italy.
Antonio Sanna teaches English language and literature in Sassari, Italy.
Content
Part I: The Artist and Philosopher
Chapter 1: "One of the Phenomenal Debut Films in the History of Movies": The Sugarland Express as Expression of Spielberg's 'Movie Sense' and as Contribution to a Genre Cycle, David LaRocca
Chapter 2: Adapting Objects: Spielberg and the Art of Making Strange, Paul Johnson
Chapter 3: Fear and Wonder: The Lived-Body Experience of Spielberg's Cinema, Adam Daniel
Chapter 4: Galloping into the Jaws of Death: The Psychology of Animal Symbolism in Jaws and War Horse, Jennifer L. McMahon
Chapter 5: A Million Light Years from Home: Spielberg's Extraterrestrials, Transhumanism, and Constructions of Alterity, Elizabeth Lowry
Chapter 6: Of Children and Redrums: The Influence of Stanley Kubrick on A.I. and Minority Report, Elsa Colombani
Part II: The Dreamer
Chapter 7: Poiesis and Miracles: From Something Evil to "The Mission," Fernando Gabriel Pagnoni Berns, Mariana Soledad Zárate, and Eduardo Veteri
Chapter 8: Deus ex Machina: Spielberg's Fantastic Visions of Tragedy and Grace, Joshua Sikora
Chapter 9: A Modern Pythia: The Oracle in Minority Report, Sabine Planka
Chapter 10: The Politics of Nostalgia: Reconstructing Epic Heroism in Spielberg's Amblin' and Always, Christian Jimenez
Chapter 11: Piracy, Boy Heroes, and the Importance of Playing the Game in Spielberg's Hook and The Adventures of Tintin, Sue Matheson
Chapter 12: Categorizing E.T., Christopher H. Ketcham
Part III: The Historian
Chapter 13: "I Thought You Were an American": Spielberg, 1941, and Saving Private Ryan, Sean O'Reilly
Chapter 14: Testimonies of the Past: Spielberg's Moral Exploration of Racial Discrimination," Michael Versteeg
Chapter 15: Writing Postmodern Histories in Hollywood: The Portrayal of the Male Characters in Catch Me If You Can, Bridge of Spies, and The Post, Orsolya Karacsony
Chapter 16: Dignified Professor and Intrepid Adventurer: Two Facets of Indiana Jones, Carl Sobocinski
Chapter 17: "We Spared No Expense": Practical Utopias in Jurassic Park, The Terminal, and Ready Player One," Carl Sweeney
Chapter 18: Trivialization, Displacement, and Historical Amnesia: The Work of Innocence and Embrace in Empire of the Sun and War of the Worlds, Naaman K. Wood and David J. Strickler
Chapter 1: "One of the Phenomenal Debut Films in the History of Movies": The Sugarland Express as Expression of Spielberg's 'Movie Sense' and as Contribution to a Genre Cycle, David LaRocca
Chapter 2: Adapting Objects: Spielberg and the Art of Making Strange, Paul Johnson
Chapter 3: Fear and Wonder: The Lived-Body Experience of Spielberg's Cinema, Adam Daniel
Chapter 4: Galloping into the Jaws of Death: The Psychology of Animal Symbolism in Jaws and War Horse, Jennifer L. McMahon
Chapter 5: A Million Light Years from Home: Spielberg's Extraterrestrials, Transhumanism, and Constructions of Alterity, Elizabeth Lowry
Chapter 6: Of Children and Redrums: The Influence of Stanley Kubrick on A.I. and Minority Report, Elsa Colombani
Part II: The Dreamer
Chapter 7: Poiesis and Miracles: From Something Evil to "The Mission," Fernando Gabriel Pagnoni Berns, Mariana Soledad Zárate, and Eduardo Veteri
Chapter 8: Deus ex Machina: Spielberg's Fantastic Visions of Tragedy and Grace, Joshua Sikora
Chapter 9: A Modern Pythia: The Oracle in Minority Report, Sabine Planka
Chapter 10: The Politics of Nostalgia: Reconstructing Epic Heroism in Spielberg's Amblin' and Always, Christian Jimenez
Chapter 11: Piracy, Boy Heroes, and the Importance of Playing the Game in Spielberg's Hook and The Adventures of Tintin, Sue Matheson
Chapter 12: Categorizing E.T., Christopher H. Ketcham
Part III: The Historian
Chapter 13: "I Thought You Were an American": Spielberg, 1941, and Saving Private Ryan, Sean O'Reilly
Chapter 14: Testimonies of the Past: Spielberg's Moral Exploration of Racial Discrimination," Michael Versteeg
Chapter 15: Writing Postmodern Histories in Hollywood: The Portrayal of the Male Characters in Catch Me If You Can, Bridge of Spies, and The Post, Orsolya Karacsony
Chapter 16: Dignified Professor and Intrepid Adventurer: Two Facets of Indiana Jones, Carl Sobocinski
Chapter 17: "We Spared No Expense": Practical Utopias in Jurassic Park, The Terminal, and Ready Player One," Carl Sweeney
Chapter 18: Trivialization, Displacement, and Historical Amnesia: The Work of Innocence and Embrace in Empire of the Sun and War of the Worlds, Naaman K. Wood and David J. Strickler
