Drawn to Sound
Animation Film Music and Sonicity
1st Edition
Published on 1. December 2017
271 pages
978-1-84553-806-4 (ISBN)
Description
This ground-breaking volume bridges the fields of music and sound and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film
More details
Series
Language
English
Place of publication
Sheffield
United Kingdom
ISBN-13
978-1-84553-806-4 (9781845538064)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
06/2010
1st Edition
Equinox Publishing Ltd
€34.80
Shipment within 3-4 weeks
Content
Table of Contents
Acknowledgements vii
About the Authors ix-xi
Introduction: Audio Motion: Animating (Film) Sound 1-22, Rebecca Coyle
Part I: Scoring Animation Film
1 "Everybody Scream!": Tim Burton's Animated Gothic-Horror Musical Comedies 25-39, Janet K. Halfyard
2 Halas & Batchelor's Sound Decisions: Musical Approaches in the British Context 40-59, Paul Wells
3 An Animated Partnership: Joe Hisaishi's Musical Contributions to Hayao Miyazaki's Films 60-74, Kyoko Koizumi
Part II: Musical Intertextuality4 Something Old, Something New, Something Borrowed... Something Blue: The Beatles' Yellow Submarine 77-89, Ian Inglis
5 Polar Grooves: Dance, Music and Musicality in Happy Feet 90-103, Philip Hayward
6 Minstrelsy and Musical Framing in Who Framed Roger Rabbit 104-119, Neil Lerner
7 An Aesthetic of Ambiguity: Musical Representation of Indigenous Peoples in Disney's Brother Bear 120-137, Janice Esther Tulk
Part III: Music and Sonicity8 Sonic Nostalgia and Les Triplettes de Belleville 141-159, Daniel Goldmark
9 Resilient Appliances: Sound, Image and Narrative in The Brave Little Toaster 160-173, Jon Fitzgerald, Philip Hayward
10 Lupin III and the Gekiban Approach: Western-styled Music in a Japanese Format 174-187, Kentaro Imada
Part IV: Music and Industrial Contexts11 DreamWorking Wallace & Gromit: Musical Thematics in The Curse of the Were-Rabbit 191-208, Rebecca Coyle ?, Sarah P. Morris
12 Cowboy Bebop: Corporate Strategies for Animation Music Products in Japan 209-222, Aki Yamasaki
13 Disney Does Broadway: Musical Storytelling in The Little Mermaid and The Lion King 223-248, Rebecca Coyle ?, Jon Fitzgerald
End MatterIndex 249-258
Acknowledgements vii
About the Authors ix-xi
Introduction: Audio Motion: Animating (Film) Sound 1-22, Rebecca Coyle
Part I: Scoring Animation Film
1 "Everybody Scream!": Tim Burton's Animated Gothic-Horror Musical Comedies 25-39, Janet K. Halfyard
2 Halas & Batchelor's Sound Decisions: Musical Approaches in the British Context 40-59, Paul Wells
3 An Animated Partnership: Joe Hisaishi's Musical Contributions to Hayao Miyazaki's Films 60-74, Kyoko Koizumi
Part II: Musical Intertextuality4 Something Old, Something New, Something Borrowed... Something Blue: The Beatles' Yellow Submarine 77-89, Ian Inglis
5 Polar Grooves: Dance, Music and Musicality in Happy Feet 90-103, Philip Hayward
6 Minstrelsy and Musical Framing in Who Framed Roger Rabbit 104-119, Neil Lerner
7 An Aesthetic of Ambiguity: Musical Representation of Indigenous Peoples in Disney's Brother Bear 120-137, Janice Esther Tulk
Part III: Music and Sonicity8 Sonic Nostalgia and Les Triplettes de Belleville 141-159, Daniel Goldmark
9 Resilient Appliances: Sound, Image and Narrative in The Brave Little Toaster 160-173, Jon Fitzgerald, Philip Hayward
10 Lupin III and the Gekiban Approach: Western-styled Music in a Japanese Format 174-187, Kentaro Imada
Part IV: Music and Industrial Contexts11 DreamWorking Wallace & Gromit: Musical Thematics in The Curse of the Were-Rabbit 191-208, Rebecca Coyle ?, Sarah P. Morris
12 Cowboy Bebop: Corporate Strategies for Animation Music Products in Japan 209-222, Aki Yamasaki
13 Disney Does Broadway: Musical Storytelling in The Little Mermaid and The Lion King 223-248, Rebecca Coyle ?, Jon Fitzgerald
End MatterIndex 249-258
