
Greta and the Ghost Hunters
Description
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Greta Woebegone did not believe in ghosts until the day she was knocked over by a car and almost died. Then everything changed...
Now Greta can not only see the spirits that haunt her ancestral home, she can talk to them too - from her grumpy Grandpa Woebegone and Percy the poo-pushing plague victim to the sinister spook in the cellar.
Can Greta help the ghosts avoid being exorcised (a fate worse than undeath)?
Can the ghosts help Greta stop her beloved Grandma being put in a home?
And can they all help each other overcome the pain in their past that's holding them back from the future?
From the acclaimed author of Charlie Changes Into a Chicken comes a touching and side-splitting new story guaranteed to delight readers of nine and up.
'Hilarious, fast-paced and full of heart' - Sunday Express
'Funny, engaging and utterly heartfelt' - LD Lapinski, author of The Strangeworlds Travel Agency
Reviews / Votes
Hilarious, fast-paced and full of heart * Sunday Express * Funny, engaging and utterly heartfelt * L.D. Lapinski - author of The Strangeworlds Travel Agency *More details
Other editions
Additional editions

Persons
Sam Copeland is an author, which has come as something of a surprise to him. He is from Manchester and now lives in London with two smelly cats, three smelly children and one relatively clean-smelling wife.
He is the author of the bestselling Charlie Changes Into a Chicken series (the first book of which was shortlisted for the Waterstones Children's Book Prize), Uma and the Answer to Absolutely Everything and Greta and the Ghost Hunters. With Jenny Pearson, he has also written Tuchus & Topps Investigate: The Underpants of Chaos and Tuchus & Topps Investigate: The Attack of the Robot Librarians.
Despite legal threats, he refuses to stop writing.
Sarah Horne (Illustrator)
Sarah Horne has been an illustrator for over fifteen years, she started her career working for newspapers such as the Guardian and the Independent On Sunday and has since illustrated many funny young fiction titles.
She works traditionally with a dip pen and Indian ink, and finishes the work digitally.
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