
The Music of Herbert Howells
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JEREMY DIBBLE is an Emeritus Professor of Music at Durham University where he taught for 30 years. He is the author of C. Hubert H. Parry: His Life and Music (1998), Charles Villers Stanford: Man and Musician (original edition, 2002), Michele Esposito (2010). With the Boydell Press, Dibble has published John Stainer: A Life in Music (2007), Hamilton Harty: Musical Polymath (2013), British Musical Criticism and Intellectual Thought, 1850-1950 (2018) (with Julian Horton) and The Music of Frederick Delius (2021).
Content
Introduction: Paradox of an establishment composer - David Maw
'In matters of art friendship should not count': Stanford and Howells - Jonathan White
Howells and Counterpoint - Lionel Pike
Window on a Complex Style: Six Pieces for Organ - Diane Nolan Cooke
'Hidden Artifice': Howells as Song-Writer - Jeremy Dibble
A 'Wholly New Chapter' in Service Music: Collegium Regale and the Gloucester Service - Phillip A. Cooke
Howells's Use of the Melisma: Word Setting in his Songs and Choral Music - Paul Spicer
'From Merry Eye to Paradise': the Early Orchestral Music of Herbert Howells - Lewis Foreman
Lost, Remembered, Mislaid, Re-written: A documentary study of In Gloucestershire - Paul Andrews
Style and Structure in the Oboe Sonata and Clarinet Sonata - Fabian Huss
'Tunes all the way'? Romantic Modernism and the Piano Concertos of Herbert Howells - Jonathan Clinch
'a "modern".but a Britisher too': Howells and the Phantasy - David Maw
Austerity, Difficulty and Retrospection: The Late Style of Herbert Howells - Phillip A. Cooke
'In Modo Elegiaco': Howells and the Sarabande - Graham Barber
On Hermeneutics in Howells: Some Thoughts on Interpreting his Cello Concerto - Jonathan Clinch
Musical Cenotaph: Howells's Hymnus Paradisi and Sites of Mourning - Byron Adams
Appendix: Catalogue of the Works of Herbert Howells - Paul Andrews
Bibliography of Works Cited
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